Hi
this is my first post here (though I have been lurking for quite a while and posted on the flute forum).
Anyway, I have just moved to a new flat and as I unpacked I was so pleased to have found my long since lost Generations high G (funny, I don’t remember packing it). I was so delighted I immediately played the king of the fairies (Alan Stivell style) over and over 'till I noticed cracks in my windows and my wine glasses were vibrating.
Seriously now, I don’t recall ever using it much and now I’ve found it and played a while, I’m not sure I will.
Have any of you ever used one regularly, say, in sessions or practice?
is there any daily useage for it other than irritating dolphins (hardly a daily activity).
It’s also a good whistle for a young’un. My 4-year-old can cover all the holes of our Gen G and F. I still haven’t quite drilled into her the part about uncovering the holes one-by-one starting from the far end.
I’ve got the O’Brien High F and really love it though again in short doses… Your high G would be very useful if you were doing recording of soundtrack/ambient stuff like I do but when it comes to IMF stuff I am the wrong guy.
I am looking for a high quality “in tune” high G myself. Any ideas on a used one plz advise…
I often reach for my high G when the notes go off the end of my D. I am very fond of the little devil. I also noticed how Chris Abell has thoughtfully offset the holes to allow playing without too much finger-knotting. Although that can be half the fun of a Gen
I find that a high G is good for tunes in which a piccoloish sound is desired… great for a crescendo in an otherwise dull tune. I’ve got a Thin Weasel in high G, a gift from Glenn (I miss that mad Gypsy)…it’s one of the whistles gonna be buried with me…
Dave