Captions....?

Looks like an interesting candidate for a caption competition…hope I don’t live to regret this… :roll:

Trisha

“The first production run of the Overton Low, Low, REALLY Low D reaches eager musicians.”

Or

“The Serpent and friends demonstrate prototypes of his new “Jormandgund”* product line”
* “Midgard Serpent”

Folk musicians in Brazil prefer to blow their own whistles.

Hey, who put VIAGRA in the water supply ??

Hoo boy, I’m not even going there…






:smiling_imp:

Over-Tweaking a Whistle Can Cause Unwanted Results

This is interesting :smiley: Talk about endowments :boggle: I don’t want to meet their women folk.

MarkB

We all know that it’s not really the pitch of the whistle, but how well you play it! Right? :wink:

Martin Milner’s having that weird whistle dream again! :smiley:

They’re really quite popular. :wink:

“We are happy to see you!”

:smiley:

These whistles are characterized by a very breathy sound, and lots of backpressure.


Forgive me. :smiley:

My funny bone seems to be broken, but seriously, what are those things? Tuned didgeridoos?

Their seem all right. :smiley:

They also, for some strange reason, remind me of a joke…

Two women chat in a train. A man sits back of them, and overhears their conversation:
“You know, I heard that Native Americans are the best endowed men in the world…
– Well, I heard that too, but also that, if Bretons may concede on pitch, they gain on bore”

The guy gets up, bows and with his best smile says:
“Hello, may I introduce myself? Geronimo Le Gloërzanec…”

PS: Seriously, these are interesting, er, winds. With a window and blade of sorts, but no fipple.

Curiously, all three contrabass players had forgotten their bocals.

If I could do that I’d never leave the house!

FATHER! :boggle:

I think that’s a celebration of Quarup, by the way. It’s a Bar Mitzvah of sorts.

Proof there’s more than one way to skin a weasel…

Mayan IrTrad trio “Yum botic” playing “The Boys from Scart” demonstrate the dangers of over-ornamentation.

Said Ixtaccíhuatl (pictured centre) “Too many rolls below low G really messes with the rhythm, dood, not to mention the breathing.”