The breeze of my computer processor cooling fan as read your post and I type this note…
Seriously though, I’m revisiting old recordings I’ve made in Drumshanbo, other places in Ireland, and at various tionols. I must admit that I am astonished at how much more I hear in the music now that I’ve been playing and listening for over 7 years. You’ll hear no argument from me regarding the notion of listening being as important as actually playing!
It’s interesting that you’d bring up listening to “old recordings”… I’m now listening to Track 8, the jigs “Sliabh Russell, Blarney Pilgrim, Clare Jig”…
in the liner notes Paddy says “these are jigs I’ve been playing for half a century, it seems!” And yet then he mentions that "Steve’s (Housden) guitar brings a whole new feel to it again."
You know, the great part is, he’s playing some fairly common tunes here, but they are just amazing in his style.
I was just watching the video from our Tionol that is posted on the So Cal Pipers site. Mick and Caoimhín playing Dennis Murphy’s. One of the first fiddle tunes I learned off the Chieftains 4 (2???) album. I love their playing; the tunes just talk to me and some how connects. Really wonderful stuff.
Common tunes, but very uncommonly played. I’ve listened to Blarney Pilgrim a bunch of times. I’ve played it with some fiddle players and they always look at me funny when I hold on to some of the notes-- like that’s not the way its done…
Funny-I’ve had this discussion before with someone “younger” than myself. I keep telling him to go back to the early recordings of Keenan, The Chieftains to see where the music comes from. Keep going back and you can hear Leo Rowsome and the Dorans.
Well, I just got back from work where I was listening to Brian McNamara, Dickie Deegan, Dervish, Brian McNeill, Bakerswell, and the Bothy Band. I’ve misplaced my copy of Long Grazing Acre - guess it’s time to clean the room.
Much like Liam, the sound of the storm in the chimney, CD wise I listen To peadar O Loughlin and Maeve Donnelly’s The Thing Itself a lot, Claire Keville and John Weir’s An Tri as a Rian, PJ Crotty and James Cullinan’s Happy to meet. Don’t listen to a lot of piping anymore actually.
Brian McNamara - Fort of the Jewels (Thanks JES mate)
BTW - are there any bands doing the arranged ballad thing a-la Bothy Band and Planxty or are those genres a thing of the past? Seems those two were the most influential in contemporary Irish music rather than the straight-down-the-line tunes bands. I learnt the art of patience playing in a group that tried to emmulate those cats - you know, preforming ballads where the piper sits and twiddles with his drone switch for 4 stanzas then comes in with a 16 bar ‘riff’ then sits and twiddles with same switch till the end of the song.
Had a hellava time trying to get tunes-only musos recruited who understood the concept of not-necessarily-playing-until-we-want-you-to-play-so-put-your-fiddle/flute-down-and-wait-till-the-3rd-verse-and-bridge/2nd-tune-the-drones-sound-for-16-bars-then-you-come-in concept of performance.
Lately, I have been beginning my day while listening to Kitty Lie Over, puts me in a great frame of mind. It is fast becomming one of my favorite recordings! Someday, it may even replace the Johnboy and Billy, Big Show on the Radio.
Keenan really rock 's indeed. Now listening M.Dunne “Legacy”, Calico’s both records, Pipers rock collection,Masterson’s tropical trad.,Barrys “mind the pipes”(really good one).
Is it still stormy over there? I got home to California Monday night and I am happy to be back in the (temporary) sunshine.
Last week I finally made it to the Cobblestone pub in Dublin to hear some tunes, and I bought the cd they have there, “The Cobblestone Sessions,” which is what I’m listening to these days. Some nice tunes on that…I’m also still learning tunes off of the Gay McKeon cd, which I keep revisitng every now and then.
Other than that…I have to guiltily admit I’m listening to Gwen Stefani.
Since I keep listening to the same CD over and over, thought I should chime in…
I made a mix for a old friend of mine who doesn’t listen to Irish music, and only knows the pipes from my playing and some old Willie Clancy recordings. Anything from a tape was digitized, then sent through CoolEdit to adjust the EQ and the gain so that the overall listening would be consistent.
West Wind/Sean Reid’s Fancy - Willie Clancy from Pipering of WC
Poll Hapenny - Ronan Browne from D&C II (?)
Glen Road to Carrick - Robbie Hannan at a tionol in 70s
A Stor Mo Chroi - Maire Ni Cheileachair
Johnny Cope - Liam O’Flynn from a Planxty record
Kerry Reel/Col Fraser/Steampacket - Denis Murphy
Old Bush - Willie Clancy which I think may be from Pipering of WC. I have multiple versions played during the same session for a Gael Linn recording, so I don’t know without checking.
8 ) Series of Jigs - Seamus Ennis in Miltown Malbay in 1958. Sad thing is, I play these tunes, but I’ve long ago forgotten the names.
Corney is Coming - Willie Clancy playing a B (?) chanter only
Rakish Paddy - Willie again on the same chanter from the same time
Peter Street - Seamus Ennis in Miltown Malbay 1958
O’Neill’s Lament - Ronan Browne from Wynd You Know
Jenny’s Welcome - Robbie Hannan from “Traditional Music”