I am learning College groves at the moment. There’s a section that has a lot of triplets on C-natural. I finger cnat usually like OXXOOO, and the most logical thing to me is to just do a double tap. BUT, I also use Rockstro grip, and inevitably the taps come out hopelessly slow and heavy, because the index is kinked at that angle.
The triplets (or rolls) as written in the College Groves are more for the fiddle etc than for the flute whistle. Maybe work your way around them to suit the whislte. Around here they play a version that avoids the issue altogether, as do the two other versions of the tune I play
The problem section is more likely to be the second part, isn’t it?
fd d2 faag | ec c2 efge |
If you find c rolls don’t sound convincing enough on the whistle (and I don’t) you can simply add in some melody notes, e.g.
fd (3Bcd faag | ecBc efge |
There is nothing wrong with not playing a fancy ornament where the passage lends itself to a fancy ornament on another instrument but not on yours. Long and unembellished notes are OK!
The other alternative is a tongued triplet
ec (3ccc
but not many people go that route, it can easily sound “in your face” unless it fits with your general style of playing.
Not necessarily, I was thinking of the version that starts:
D2 FD ADFD Ec ~c2 dc ~e2 DEFA d
or alternatively
D2 FD ADFD Ec~c2 dBcA DEFA d
I would think of the second part of something like:
fddc dfaf edcd efg
but as I said I have between the College groves and the New Demesne three totally different first parts and at least three variants of the rest of the tune. it a lovely one, versatile as anything and you can approach it in many ways.