Im 19 years old. Ive been playing the Recorder since i was 14, i can say that i play very good.
Yesterday, i saw a chinese transvesal flute in 200 dollars. I can buy it, but i have heard that if you learned first how to play the Recorder it would be almost impossible to learn the tranversal flute.
Im also worried about my age. Am i too old to learn how to play flute?
I hope not, I started at 34. And I know folks who started in their 40’s, 50’s and 60’s.
If you are serious about getting a flute I would read the archives of this site for suggestions on good starter flutes before simply buying one because it’s cheap. Then go for it.
I agree with Beowulf on this. I can’t see why a previous recorder experience should prevent you from learning the flute. And at 19 you’re still a kiddie anyway (“too old” ). If you want to play the flute, just go for it!
Oh, and try not to use the expression “too old” around here. That is liable to earn a dope slap, especially when it comes from a 19 yr old. Personally, I am standing on the frontier of geezerhood and tho’ it may be a bit late to plan for an international career playing the Irish flute I will learn to play it.
I was in my 40’s when I started flute, late 30’s when I started whistle. There was a time when I had set my sights low due to my advanced age and lack of dedication. I’m just as old now, but with more dedication, and I’m determined to be a damn fine flute player in a few more years.
Congratulations, Janet. Is this your first? I also thought I wouldn’t make a decent parent since I started in my 40’s. Parenthood’s even cooler than fluting, though!
I wanted to add that I think it’s easier to learn a lot of things (including instruments) as an adult. You really want to learn, you appreciate the time you find to practice and try to make the most of it rather than just going through the motions because mom wants you to practice for 20 minutes.
Sometimes adults try to bite off too much though, ending in frustration when skills don’t come quickly enough. Remember baby steps and patience!
It’s my second! We’ll have 6 years between my son and this one. I’d take parenthood over fluting any day. Morning (and afternoon and evening) sickness on the other hand… nah, I’d even take that over fluting because it’s all worth it in the end!
I play modern orchestral flute, Irish flute, and Baroque flute. I also play whistle and recorder…and I played recorder before I ever had the opportunity to learn a simple system flute.
Knowing the recorder isn’t a liability; rather, I think you’ll find it to be an asset.
Too OLD!! I started the recorder at 35 the whistle at 48 and the flute at 50 I’m going to move on to the fiddle when I’m 60… now where did I leave that zimmer frame…
Congratulations, Janet. Are you hoping for a girl this time?
With regard to learning to play the transverse flute, I played the recorder many years before I even thought about wanting to learn the flute again, after giving it up as a lost cause in grade school. I was around 50 when I started playing the flute again. The fingering seemed strange at first, because I was used to the recorder fingering, but at this point I have completely forgotten the recorder fingering. When I try to play my alto recorder, I keep missing the notes.
I taught myself how to play the fiddle after I was 45, and now at 61, I have been thinking about the piano accordian. From what I have learned on this board about session etiquette, I think that it would be a perfect session instrument.
Reminds me of when I purchased a used piano accordion from a senior citizen. I asked why he was selling such a fine instrument. He said that he could no longer lift it. Now, as I am older, I understand what he meant.
I was only joking abut the piano accordian. I owned one once, but it is definately not the instrument for a person with a bad back. I don’t know if I should mention this on the flute forum, but I recently have developed an interest in whistles. So far I have a Clark sweetone in D and a tweaked Shaw D whistle, which looks like Jerry Freeman went after it with a pair of visegrips. I have ordered several plastic Susato whistles, just to see how they sound and how they are made. I also have tried numerous times to make a good PVC whistle, but so far I haven’t been satisfied with the results.
I have a question about whether notch flutes are ever used in the Keltic tradition? They allow you to play with the flute in an upright position, which feels more relaxing to me. At the same time they allow you shape the note with an embouchure, as on a transverse flute, in contrast to the fixed fipple of the whistle. Just curious.
I suspect this has occurred to you, but just in case it hasn’t, you might want to fork out the $70 or so and get a Water Weasel from Glenn Schultz. Having one of those in your grips will teach you more about how to make a PVC whistle than any other method possibly could. Other than visiting with Glenn himself, of course.
Chinese transverse flutes or “dizi” do not cost 200 bucks. You can get a fairly high grade one at US$50.00 if you’re buying from the a proper Chinese music instrument shop.
Actually, the English Country Dance group I’m a member of has open band nights about once a month, and I have seen a trombone player there. Very cool addition to the sound!
With regard to the suggestion about getting a Water Weasel whistle, does anyone know if Glen Schultz is still making whistles? I checked on the availability at one big online store, and they were out of stock and not sure whether they would receive any more of his whistles or not.
With regard to the trombone, I’m not sure about ITRAD, but the trombone is a common lead instrument in Brazillian TRAD. It does a very good job in my opinion. What do you think, Glauber?