I would strongly recommend David’s record, both to any established piper just for enjoyment and to any learner who wants to soak up the influence of some first-class mainstream piping.
I found a stack of copies being promoted in the “world music” section of a large record shop here in Brussels. The accompanying sales bumf heavily emphasised the Rowsome influence, on account of which I almost didn’t buy it. But I was able to listen to excerpts, and liked what I heard, so I bought a copy.
It’s lovely stuff, an ideal personal blend of some of the key piping influences. He duly and properly pays musical and verbal tribute to Leo. But I would place his style closer to Ennis, without this implying that he is slavishly trying to imitate the great man: there are lots of other influences at work too.
It was only later that I realised that he is a member of this community.
I’d have to say, that of the influences behind David’s playing on that recording, Seamus Ennis is the one I hear loudest. Brilliant CD of a brilliant piper.
Just for my 2 cents, this is a great album for nonpipers as well - particularly flute/whistle players. We can’t match the closed-scale craziness you guys do, but there is much to learn from this disk.
I’ll add my 2c also. David’s approach is about the music: phrasing, accent, momentum. His ornamentation is completely integrated with his interpretation of the tune and while his treatment may seem straightforward, there are layers of subtlety that require multiple hearings to appreciate.
Be patient, dear ones. There’s a new one on the horizon.
For those who have not understand that David is THE great piper of the moment this second CD will be the proof…
Be patient
Roger , I know David very well , and I can tell you that you are full right when you tell that he is not “slavishly trying to imitate the great man” . David Power is David Power and he is “full” of many great pipers whithout copying one of them ; his piping is instinctive and intuitive ; he has no idea to imitate anyone .
