Well, if you want to play the feckless newbie, I’ll reverse roles the other direction and play the part of the knowitall and see if we can find your feck around here somewhere.
To all the young innocent readers who may be watching this forum,
this is a perfect good example of why it is not a good idea
to live too long in the city, drink too much alcohol and be bored to tears
very hard to know what the feck is the real reason for this post,
but oh well,
party on dude!!
David
There once was a wannabe newbie
Who had, it seems, way too much doobie.
His nick, Talasiga;
Of bollocks, a flinger,
Who should get back to playing his tubie.
By the way, the third and fourth lines rhyme more than y’all might guess; check out your Fijian orthography.
Hey, I have just come across an unusual piece that requires a low D flat.
Anyone know of a way to half hole the low D or cross finger it?
The piece I am playing is for a D whistle. Its called AFP.
It’s really quite a hack (to use software jargon) but you can cover the end of the whistle with your pinkie finger to lower the bell note if you’re very careful. That might give you a decent D flat.
Silktone 7 hole half holing the 7th hole maybe?
Seems like I remember some kind of jazz played on whistle (kwela?) where they liked to use shaws and put thier mouth so far onto the wistle that it starts to cover the sound hole just a bit, allowing them to bend notes. I remember looking up some stuff one nite, even listening to some samples. It’s not too easy though. I can get the high d to bend maybe a half pitch, but with a sorta iffy tone. I can only get about a quarter pitch bend out of the DD shaw.
Hmmm. A combination irish whistle/slide whistle might be cool.