I just got back today from my visit to Chris Abell. He has an elaborate workshop, and he makes his own tools (for use with lathes, milling machine, etc.). He is a sweet person and was happy to walk us through the whistle-making process. I love to meet instrument makers. I have an incredible respect for them, as they make things not only of beauty, but of function.
I got to play one of his flutes (the shop flute)…truly amazing. It’s a wooden Boehm flute. It sounds and feels reedy like an Irish flute, but it has the power and intonation of the best concert flutes. A beautiful thing. He stays ahead on headjoints, and I was able to come home with a wooden Abell headjoint for my silver flute. Now I can’t put it down. The sound is incredible. I also picked up a high f whistle. It is too cute for words. It has a very pure and strong tone. It clogs a little after playing for a short while, but I think (and hope) that will go away with time.
Someone asked me to ask him about the idea of a delrin mouthpiece with a blackwood body…he said he thinks it’s a matter of asthetics. He wonders if one would want an all-wood whistle, an all-plastic whistle, or a hybrid mix. He says it’s personal choice. As for worrying about wood, he seasons his wood for A LONG TIME. He believes that if it it going to crack, it will do so before it leaves the shop - unless one seriously abuses it, and at these prices, I don’t think anyone would do that.
Chris was very open about his process, and getting to see that sort of thing is always exciting for me.
Jessie