I didn’t see it and in a totally prejudiced way I’ll condemn the practice. No-one should ever tune to a harmonica. They are rarely tuned to A440 (for good reasons) and many models are not tuned to equal temperament. You could easily be tuning to a reed that’s about 20 cents flat. Moreover, the harmonica player may bend the note given for tuning. A reprehensible idea. And anyone who attempts to tune to a tremolo harmonica should be banned from the session and forced to drink Tinners Ale for a month.
I can appreciate where you’re coming from but I’ve often had someone tune to my root note, especially in the absence of electric tuners, tuning forks or other things. I mean, let’s say you’re at the beach or park and your friend with a guitar finds he’s out of tune and has nothing to use as a reference.
BTW have you tried the Bushman harmonicas yet? I’m about to order a couple to replace my blown LO G.
True, but very often the fiddle player will ask you for a D or an E when you’ve got, say, a C harp in your hand. E would be the 5-blow, which is noticeably flat on a Just-tuned or intermediate-tuned harp. Lee Oskars are tuned to Equal Temperament so should give no such problems, though they are tuned a bit above A440 - can be up to A444. Like you say, it’s best to pick up a harp in the right key and give 'em the root note. Bl**dy fiddle players!
I haven’t tried Bushmen yet but I will when I blow out my LOs. Not an easy thing to do!
I only recently ordered and received this wonderful CD. It is truly a delightful collection of tunes (and one lovely song). It is also just filled to the brim with sweetness. I hear and read so often about the ties among Irish musicians, the social glue of the music. Though I will probably never meet Steve, I’ve had a sense of his personality from this community and I hear that personality in the lovely steady and unassuming playings of these well-chosen tunes. So I feel a connectedness to the music, which I so appreciate.