The Syn C/D set (2 heads, one body) arrived on Friday: first impressions are good. Well-made, and the sound full and loud, without the shrill edge of a Silkstone. They need pushing a bit in the upper octave, and the high b (and high a on the C body) is a slight screamer, but other than that, excellent.
very good value for money: I’d recommend them as a first-rate stage between the cheapies and the hi-end expensive whistles.
This pun has become cliched (I sometimes wonder if Earle changed
to making Black Diamonds because of it), but I have to give you extra
points for the Latin title…
Anyway, congrats and enjoy your Syns, I know I do. My C body is
particularly good.
“Peccavi” reference has gone over my head.
I know I could be a smarty pants and look it up somewhere
and pretend to be a know it all
but I like to show my ignorance sometimes to prove my humanity.
Hi, Talasiga,
I’m learning to play. My main whistle is one of David O’Brien’s in D. It’s a well-tarnished copper whistle which has lost most of the clear coat. The tone holes are a bit rough to the touch which, I suppose, may make it easier to grip. I don’t have a lot of experience with lots of different kinds of whistles, but it’s got a very pleasant, fairly loud sound.
My second-most favorite is a cheap Generation clone, my first whistle. The label just says:
D
TIN
WHISTLE
IRISH MADE
It’s got a green plastic fipple, so it could be a Walton. The body end of the fipple has 16 flat bevels around its circumference (instead of being round like my Generations). I think I got it from Elderly or Musician’s Friend around 1994. I’d love to who made it, if anyone has any idea.
I also have a Susato in D with an upper register that could easily do ear damage in enclosed spaces, a couple of Generations, and a handful of Clark Sweetones, and a Clark original.
After playing a friend’s Sindt briefly, I’ve been saving for something sweet, like a Burke, Sindt, or Syn. If someone’s got one used, I’d be interested.