O'Riordans have ARRIVED!

After three long, long, loooooooooooooooooong years of waiting - my treasured O’Riordan whistles finally arrived!

The order included a ‘Traveller’ D/C set (black anodized aluminum key tubes and delrin headjoint), a ‘Concert’ D/C set (kingwood key tubes and delrin headjoint) and a ‘Traveller’ Low D.

First impressions:

I’m just amazed I was sitting here holding these whistles after so many years of waiting…but in dealing with Mr. O’Riordan I was happy to allow the time - a complete gentleman in all respects. Very helpful and accomodative.

The Traveller whistles (D/C) are of a sturdier construction than I had imagined, and while upon close scrutiny, one can find small defects here and there (they ARE hand made after all) the fit and function of the whistles is very nice. The tuning slide in particular is smooth and accurate with both key tubes.

The Concert whistles are simply beautiful both in form and function. Similar to the Travellers in overall construction, the look of the wood (almost a glow) and the bright shine of the brass fittings contrast with the black delrin beautifully.

The Low whistle is also quite nice, and at first glance looks to have traits of both Howards and Burkes in the headjoints appearance. The keytube is broken into two rotateable sections just above the “e” hole so that the bottom hole can be rotated slightly off center for an easier grip. My one caveat with this design so far, is that Pat uses an external friction ring for this joint, and it feels a bit akward under the finger there.

As far as tone and playability, I would rate the whistles I received as having moderate air requirements. (more than say an Oak or Feadóg) The tone isn’t nearly as “recorder-like” as I was expecting after having heard other players comments on it. It’s quite pure, and has just a touch of chiff. There is a bit of tone in the attack that I can only describe as purely O’Riordan-esque in nature. You can hear it in Joannie’s recordings, and it’s quite distinct.

So for the time being, I’ll say that the whistles are very nice, and all in all though this has been hands down the longest transaction I’ve ever been involved in, Pat has been a wonderful man to deal with, and I’d order from him again in a heartbeat.

The whistles themselves are going to take some getting used to, and I certainly don’t think that everyone would love them. They’re not as clean and precise as say a Burke, but sharper and more asthetic than say my Parkhursts.

Anyway, I’ve got a whole weekend ahead of me to stretch the fingers and put them all through their paces in both concerts and sessions so we’ll see how they stand up in the real world of ‘working whistles’! :smiley:

More to come as I discover the intricate details of these long awaited gems!

Brian~

Congratulations on your acquisition, Brian. There are many of us who are a wee tiny bit jealous! :roll: I’m sure it was sorth the wait and that you will have a great weekend! :slight_smile: Oi vey! I’ll bet that low D is nice. Have fun!

Ya know Paul…

The low D has a pretty tough reach truth be told, even with the bottom hole being rotateable. It’s the toughest of the bunch, but I hope I’ll get used to it in the not too distant future. It’s got a great tone, if not a bit on the quiet side.

I’ll post something to clips and snips in the next little while I hope.

B~

Ya know… Every whistle takes some getting used to, right? I remember when I got my Copeland D. I honestly didn’t like it at all. Well, that didn’t last… I look forward to hearing some clips of you on your O’Riordans!

-Paul

Very cool, Brian! Getting an O’Riordan is like the Holy Grail at the end of the Quest!

The Holy Grail they most certainly are!

They are wonderful to play, and now to play along with my Song of the irish Whistle CDs sounds that much cooler. :slight_smile:

Glad to hear you have your O’Riordans. I dearly cherish mine and have used them extensively in recording for a new Irish dance production soundtrack and a companion whistle CD. Pat is a wonderful man and has been very helpful to me and my upcoming project. He is a true craftsman of the highest calliber, and yes, the perfect gentleman. If there was an Irish Whistle Hall of Fame, Pat would be the first inductee on my list. His instruments are both sensitive and responsive to their owner’s every whim and desire, very emotionally expressive. Happy Birthday Pat, by the way. Those of us who have worked with you know you have much love and respect for you. All the best.

Ken Wood, Eternia

Hey Brian,

Contrats! :thumbsup:

I ordered mine in March of 2000, but Pat just recently emailed to say that they are ready to send :heart:. I thought that they might arrive today, since it’s my B-day :party:, but they’ll probably come tomorrow :smiley:. This has been quite a B-day week, since I also just acquired a new French-made violin, made in 1890 :astonished:, which is just superb, and now the new O’Riordans :sunglasses:.

As you can tell, I am also checking out the new emoticons, for the first time. :open_mouth:

JP :sleep:

John,

I doubt very much that you’ll be disappointed! I had a chance yesterday to play for the Mayor’s of Salt Lake City and Thurles, Co. Tipperary (Salt Lake’s sister city in Ireland) yesterday, and played “John of the Glen” on the O’Riordan concert C. Went over very well - and Mayor Anderson (Salt Lake) said he felt a tear. So either it sounded really good, or I REEEEALLY sucked! LOL

All in all these whistles just keep growing on me the more I play them. The jury’s stil out on the low D, but all in all, the high whistles are superb. I have noticed that the finger holes on the concert whistles aren’t aligned perfectly straight (close enough though) but I will sometimes miss a note when making a fast run. I’m sure it’s just time to get used to the feel of the new tubes and all that.

Well - I’m off to the siamsa, and a whole day of tunes!

SLÁINTE!!!

Bri~

Wow, you’re lucky!