Having joined Patrick Olwell’s waiting list in February 2006, I got word from Aaron that my flute was ready in November. It duly arrived on Christmas morning! I was on holiday, so I had it sent to a trusted friend who kept it for me until last Sunday.
I’ve had the flute for 5 days, but (can you believe this?) hadn’t been able to so much as blow into it. I have 2 sons under 2 years old, a day job with 1 hour commute each way, and I had to do my tax return this week.
But at 21.00 tonight, I finally got to play my own 6 keyed Olwell!!! I’ve just disassembled, swabbed, and packed it away after about 45 minutes’ playing and I am one happy man.
Let me just say a couple of things about Pat and Aaron. These guys kept to their promised schedule, kept me informed of the likely final price, delivered safely… they are top men indeed.
Now, to the flute. I have played a 4 keyed Cotter for the last 8 years, so that’s what I’m used to. The flute looks great. The blackwood has lovely grain and the keys are terrific with little cork pads on the backs of the touches and a very light action. The embouchure and the toneholes have razor-sharp edges. The bore is as shiny as a mirror. The workmanship and the attention to detail are staggering.
It’ll take a while to get used to it, of course, what with the extra keys and general adjusting to the instrument’s requirements, but my first impression is just tremendous. All the good stuff you’ve heard about Olwell flutes is true.
Now, if I could only find some time to spend playing the darn thing… ![]()
Happy New Year, C&F fluters!
m.d.