You’re right, that was my fault.
Of course you’re right, but my point was merely to help beginners get a better expectation of the time & effort required to play the music at “faster” speeds (to avoid the problematic “session speeds” ![]()
– Scott
You’re right, that was my fault.
Of course you’re right, but my point was merely to help beginners get a better expectation of the time & effort required to play the music at “faster” speeds (to avoid the problematic “session speeds” ![]()
– Scott
Do I detect Bloomfieldian sarcasm? ![]()
I honestly don’t think that what I (originally) wrote was all that controversial or hard to understand. I mean:
Unless you’re particularly gifted, have hours of free time every day to practice, or are already expert on another instrument, it takes several years to play at [US] session speed.
How much simpler could that be put? I note that 5 or 6 beginners have posted in this thread to say “Hey, thanks for that, I was wondering…” so it can’t really have been that hard to decipher.
But I apologize if I was rude to Peter. It seemed to me that he was intentionally misconstruing what I’d said, but it’s certainly easy to mistake intentions on the Internets.
– Scott
Fair enough. Oh, and Bloomfield doesn’t do sarcasm. ![]()
Peter, I hope you’re still reading this thread because I want to ask: does this mean that the right foot is tapping double the pace of the left?
No, the feet alternate. L r L r | L r L r | etc etc
That’s what I was hoping since trying the other way set my right foot going at a very interesting pace. My favorite foot action that I’ve ever seen was a Quebecois fiddler who joined us one night. Basically, he did a quiet little dance with both feet while he played. It wasn’t obtrusive but was very expressive; his playing was a joy to listen to plus he was fun to watch.
Desy Adams looks like literally running when playing.