Sounds like a totally cool trip. I, like many others, am completely jealous.
Now, I am not too fond of donuts, so you better spell it out. What new whistles did you come home with??
I agree with what you say that most low whistles require “playing with conviction” to sound their best. This is also my main issue with most low whistles: I am able to play them, but I simply prefer whistles that are easier blowers. The reason why my Dixon gets 90% of my low whistle practice time.
Hey Chris!
Thanks for sharing this with us! Man, I cant agree more about playing these whistles with conviction. Seriously, with Overtons “the more you give the more there is”
I think I need to go spend some quality time with my alloy shafted friends now…
Cheers,
David T. Schulz
[ This Message was edited by: DavidSchulz on 2002-10-30 14:00 ]
Dude, Loren, as awesome a musician as James is, and as awesome as his playing is, his solo CD is not exactly my cup of tea… besides, he claims that Sony forced him to make the album and he doesn’t even really consider it to be a genuine part of his discography.
Chris
Did they do any of that circular breating on a whistle? I can understand how it’s done on a didge, sax, clarinet, or other instrument that can be made to have significant amounts of back pressure to hold air in the cheeks. I just don’t see how that could be done on your average whistle, though.
Wandering Whistler -
The answer to your question is that Overtons do have back pressure. Colin is indeed able to circular breath on his whistles.
Best,
Chris
There’s a session in Mesquer (44, just down south from U) next Friday (Nov. 8th). The people from Beltaine, Nantes, are the main group. I guess Pascal Martin the piper from Guérande will show up as usual. Why wouldn’t you come ?