Whistling Restrictions

Away from home - where I engage in research - my day-to-day work is carried out in a high security prison. There are many restrictions as to what one may bring into the establishment particularly objects made out of metal.

I am not allowed to bring any whistle into work that is large or has a metal body, therefore I am restricted to smaller plastic/composite or wooden instrument.

Luckily my Dixons (C & D) fit the bill perfectly & have the added advantage of not being too loud so that my clients & colleagues remain blissfully unaware of my playing during meal breaks.

Does anyone else suffer from similar restrictions?

Pretty much wherever I go, folks ask me to restrict my playing. Sadly, that is especially true of other whistlers. and especially other C&Fers. :smiley:

Phli Bleazey’s (UK) low D is in wood, and breaks up in three pices, each shorter than a standard penny whistle.

Also isn’t there a new, three-piece plastic low D from Tony Dixon?
Ah–here it is…
http://bigwhistle.co.uk/shop_results.asp?search=2&maker=11&highlow=2&key=11&tunable=1&cat=*

For the last few months, I’ve been travelling a lot on business (ie, dealing with airport security). My Dixon D and Bb whistles are great for this. Though I’ve successfully carried metal-bodied whistles on airlines, they always get looked over sceptically, while I’ve never even had the screeners comment on the Dixons.

I’d imagine other plastic-bodied whistles like Susato, Serpent Polly, Water Weasel, Burke composite, Busman delrin, etc (I can see I need to buy a few more - all I have from the list are Dixons and Serpents :laughing: ) would work as well. I’ll be adding at least one Serpent Polly next trip - we’ll see if they have any issues with the brass tuning slide.

If it’s noise level, rather than material, a Hoover or Oak might be a good choice.

I was just on a two-week vacation during which I had planned on playing my flute for at least 2-3 hours a day. Turned out that one of the people I was travelling with is very sensitive to sound (I brought whistles, but they’re even more obnoxious to those with sensitive ears), so I got in maybe 5 hours over two weeks.

When I’m on business and staying in hotels, I usually bring a D whistle and something like a low-G, which doesn’t carry as well. When I’m at conferences, I try to play at lunchtime, when it’s likely other people aren’t in their rooms.

I bought a chieftain low D in California, and carried it on airplanes about 10 times since then, both before and after 9/11.

I never really needed it at my destination, I just have a thing for bringing it through airport security.

Unlike other wind instruments, this low whistle really looks like a martial arts weapon barely and badly disguised as a musical instrument—not the kind of thing you’d break if you sat on. Yet nobody ever batted an eyebrow as my carry-on bag containing the conspicuous hunk of pipe went under the x-ray.

I guess nobody was thinking someone’d hijack a plane with a beatin’ stick. But I remember, I flew 7 times in 2001, the last being a flight from NY to CA in the wee hours of Sept 11; I remember thinking as I boarded that plane that I was much less confident in our security people, and much less likely to board an airplane in the future, after seeing how little attention the security people paid to anything.

Caj