I’ve been going back and forth about posting this, but I decided I’d throw it up and let you decide what you think.
For years I’ve been a rock/heavy metal guitarist and within the past year I’ve delved into irish trad and now play tinwhistle and, very soon, uilleann pipes.
That said, I’ve naturally messed around with playing some irish tunes on guitar as well.
While admittedly unorthodox , I’ve managed to take this:
There’s quite a lot that could be said about that, but I’ll start the ball rolling with just a comment or two:
Firstly, it depends what you want to do with that sort of music. I think you’ve got the spirit of the original in your playing, and it’s quite impressive. If you’re doing that for your own fun, then great. If the question is the one which is in the thread title, then I don’t think the instrument is appropriate for a session. I can imagine myself playing in a gigging band with someone playing like that, though.
The other thing that occurs to me off the top of my head is: it’s quite fast. The original clip is much faster than I normally like. However, given that they are who they are, they are able to get away with it. Played that speed on electric guitar it sounds a bit manic. Your technique is good enough that you’re not actually rushing - I just don’t think that impression (being manic) is avoidable at that speed on that instrument. I’d be interested to hear a take from you on accoustic guitar and a fair bit slower. It’s good to be able to play the same stuff at a wide range of tempos anyway.
Basically … very nice … I’d like to hear it without the backing track, or at least with the backing muted a bit, the audio on the clip sounds “cluttered”, difficult to differentiate the instruments … certainly a concept worth pursuing
I find myself agreeing with that. And yet oddly enough that is the same speed as on the original clip. Just goes to show we must pick our battles. Great playing, BTW.
I do all the time. Kink 'em enough, and you get this:
Thanks for the responses guys. The thread title was meant to be a bit tongue in cheek, as I know that it wouldn’t be appropriate for a session.
Right now I’m just kind of noodling around and enjoying doing so. I do play traditional instruments as well so perhaps down the road I’ll fuse everything into a gigging band. As I said, I know it’s quite unorthodox but I just figured I’d post it since I’m new to the forum.
But just to let you know that if you show up at our sesh with that axe, we’ll firmly insist you put it back in the case and then we’ll usher you to the bar and sit you on a stool.
Odd. You’d think Boston of all places would have pipers. Here in Minneapolis/St. Paul (with our contrary climate no less) we’ve got a good few of 'em. But on the other hand they don’t come to sessions like clockwork, either. Maybe pipers just spend more time at home in Boston, too…
Boston actually has an uilleann pipers’ club. Might be on Facebook. There are a good many/good pipers in the area.
As for pipers showing up at sessions, well…sessions are filled with people playing faster than they should. For many (me inc.) speed can be the death of good piping.
Hell, you should see him when he doesn’t play a particular tune: he plays the regs as a backup instrument. Pretty darn decently, too. In fact he was doing that last Sunday. My only beef with that was that we already had a bouzouki, a cittern, and - count 'em - three guitars, and all of us would-be backup players. Enter the regs. At least I had the good manners to refrain from playing my cittern in a hell like that. I’m relegated to the position of taking up the slack when a tune’s harmonic contour is too challenging for the others with stringy things in their laps. “Okay, li’l backupsters: Here’s how you do it. Listen and learn.” That’s kind of an uphill battle with some of those people, though, to be honest. You give it to 'em on a silver platter, and what do they take home? Bupkes.
Really, we’re getting enough backup players now that I absolutely think the same “one bodhran at a time and take your turn” rule should apply to the gizmologists as well (and I am trying to lead by example on this very idea), with the codicil “If you don’t know the tune - or if you know it but haven’t worked out what to do with it - have the good grace to not make an embarrassment of yourself, and an irritation to us.” I have already put forth this opinion and have run into some objection on the notion, but I have every confidence that the wisdom of it will eventually be seen and taken to heart. Chippin’ away. I suppose they say it’s easier for me because at least I have flute to fall back on.
I am not sure the wise, one back-up player/one bodhran rule will catch on, but it’s a great idea. And fair play to you Nano.
I will probably lay off the regs (as solo instrument in sessions ) for a while. I just get so tired of some of the same old tunes, knowdamean? Some of them I just can’t play anymore…like the inability to detect a smell when you have been immersed in it for too long (Old Factory Overload I think they call it ). Too bad: these can be great tunes (and old piping classics at that), more enjoyable outside the session setting for me. 'Don’t like 'em rammed through the breech doncha know.
I remain a voice crying in the wilderness. I will nag. And I shall not go hoarse. What’s good for the drummer is good for the clanger, sez I.
It’s not only to reduce the cacophony of backer-uppers all doing different things at different rhythms, but also, how can any of us learn and steal new material - not to mention be able to note what NOT to do - if we can’t hear what a player’s doing amid the mishmash? This is strictly practical on all levels.
You of all people I would never begrudge. Regs are cool, because they’re not just another set of “tuneable spoons”. They’re like little voices, crooning. Which reminds me that I’ve been meaning to ask: have you, like Paganini, made a pact with Old Scratch to have living souls imprisoned in your regulators? Because some days they sound uncannily human, you know.
I fully sympathise. That’s why my favorite sessions are the small ones. More nuance.
Nice picking there, iriSHred. You would fold into a session just fine with an acoustic guitar as has been suggested. My own taste runs to more fretboard ornaments (less all-picking/all the time). Just my observations.
, I’ve managed to take this:
