I’m new to this whole flute forum thing and I was wondering what kind of levels of playing you’re all at and how old you are? I’m 17 and I’ve done my grade8 ABRSM. And im from south africa. Oh well just interested to see what goes on on the net
I’m 32 and have been playing flute seriously for about a year altogether.
I just got hold of a Dixon 3 piece flute which has helped tremendously. Previously I was trying to play a bamboo flute backwords which might have helped a bit with my embouchure but discouraged me from attempting anything other than scales as I couldn’t produce a real clear tone.
I am just getting to the point that I can start pursuing tunes now that I have become fairly consistent with my tone/embouchure.
I have a Copley Flute on order and am practicing as much as I can (2 hours daily) so that I can do more than stare at it when it arrives.
Welcome to the board!
-Craig
p.s. My office-mate is from South Africa and I recently gave him a whistle to start learning.
ABRSM stands for the Associated Board of the Royal School of Music. Its is British examination system for classical music, though I believe they now conduct jazz exams too. Its a different from the systems in America, but its pretty common outside the US.
Grade 8! That’s pretty advanced are you going onto diplomas?
I did my grade 8 many moons ago and I found the whole grading system was a great benefit for me, in playing classical music at least. For playing Irish type music there is a very different approach the onus being on learning by ear and using personal variation, in other words it is more of an organic music, growing all the time. In classical music there isn’t too much straying from the written score, so you can play a Handel sonata and it won’t sound a lot different from 200 years ago.
As Traditional music is passed on by word of mouth so to speak it changes more, a bit like Chinese whispers. Much Irish Traditional music is now written down and can be played quite effectively like this… but there is definitely a subtle difference in the interpretation, for instance the rhythm and ornamentation from a traditional player has a certain quality not to be had from cold dots… being reared in the Irish musical tradition also helps!
You might find on this forum that most flute players here are discussing and playing Irish type music. The Irish flute is also a different animal than the concert flute the basic Irish flute is made of wood has only 6 holes and no keys, there are of course keyed models which are used extensively as well. The embouchure is slightly different too, where a classical player will have a straight back and clear wind-way a traditional player has a different position with his neck pushed down towards the chest. Which always seems to me to be very awkward but it seems to work. As I am a classical trained player I find it difficult to adapt to the differences so I end up playing Irish tunes in a classical way, which isn’t always very effective. What I do to combat this is to play the pennywhistle for Irish music, which is magnificent instrument in it’s own right. (Do you play the whistle?) I keep my flute for classical type playing.
Thanks for the reply it was cool to hear from all of you! I like the way every1 here is on different levels i suppose if anyone needs advice we can ask eachother
I’ve noticed all the discussions here are about Irish flute and people asking about wooden flutes etc, why is that? I’ve never tried playing irish music, obviously, cause here in south africa its like classical or nothing! I’m lucky cause at my school we have a really good music department so we get the opportunity to study music!
Yes I am planning on doing a BMus at university next year, but I’d like to become a performer but also get into the music industry like recording studios etc, and eventually adjudicate in big competitions, obvoiusly overseas. Any ideas how i would get into that kind of industry, kind of like the people on pop idle!! (simon cowell etc)
Do people in england/usa wherever you guys are from learn flute from the begining wiht a tradition? Like learn irish flute etc? It must be so different. There’s a pub thing down here that wants me to play irish music there but i have no clue how i’d pul lthat off, i’d probabely rapture off into mozart!
The level I’m on is the third floor of a rented townhouse (for context - a narrow dwelling attached to other buildings to save the developer some money). Just kidding.
I’m darn near an absolute beginner on flute, and an anoying novice on pennywhistle.
I wanted to let you know that my Cousin and his wife worked in South Africa for years and just came back after the birth of their last child. All three have duel citizenship (SA/USA). I haven’t seen him since they moved back, but I hope to soon.
Could you share any Kwela news with us, if you know any, that is. Is it still an important form of music there? Thanks.
About Kwela music, i personally dont know a thing about it! Although I’m interested to find out now that you’ve mentioned it!
I’vebeen playing flute for about 9 years now so Yeah brian i think i have still got plenty of time to master the instrument and the music, and who knows maybe I’ll be the next james galway?!
Greg, I’m so amazed you are 97 and still so musically talented. That is amazing, respect!
Mark_J: I am glad to hear you’re on the 3rd floor of your rented townhouse… I’m on ground level!
One of the nice things about the woodenflute/celtic music scene (perhaps over the classical environment) is that whilst it’s nice once you’ve achieved the “good” level, I don’t think there’s such a pressure to get to the “Better” and “Best” level The emphasis is much more on sharing some good tunes amongst friends, rather than Performing to an Audience.
It’s not quite so competetive perhaps.
I considered getting a boehm flute when I started but then I realised that fluid (bendy) tones that draw me to Celtic flute sound are created by drawing the finger on or off of the tone holes, something that can’t be done with valves or keys.
Madeline if you become interested in wooden flutes they are well worth a try. It’s a wholly different experience to the Boehm. A different means of expression entirely.
Patrick Olwell produces simple bamboo flutes that folk here seem to rave about. Ian Anderson of Jethro Tull has recorded with them. I want one in F even though I have my own 5 Keyed Wood flute