In the following photo of the Beaty Taylor Set (which I found on uilleannobsession BTW), what is the “thingy” on the double chanter just below wind-cap? Looks like a switch. Is it a stop-valve?
I’ve been drooling over this photo since I first saw it on the cover of Pat Sky’s Uilleann Bagpipe manual. There’s just something about the Taylor style that mesmerizes me.
WHAT IS THAT ALL!!!
I haven’t ever seen this monster, why?..Why? What?.. I don’t understand
Where’s the chanter there? And other one- what is it? Why is there two tunings in each regulator???:-?
Because they’re double regs… two reeds each, just like the one chanter. Had another look, they are actually quadruple regs, tenor and baritone each have four reeds and five notes.
Thanks to the mystery piper who PM’d me with my slight undersight.
Those belonged to Joe Shannon, a Co. Mayo man who moved to Chicago when he was 10. Joe died recently, RIP. You can hear him, both solo and with his friend the fiddler Johnny McGreevy, on two releases: The Noonday Feast, on Green Linnet, and Irish Traditional Music In America: Chicago, on Rounder. I always like the sound of this set, too, although apparently it’s louder than beejeezus too!
David Quinn’s articles on Taylor keywork explain how it all works, too. Rube Goldbergish stuff for those quad regs.
those keys looks like the thingy the doctor puts on your tongue while you say “AHHHHHH”…
truly looks like a monster. Don’t know if I like it or like it…it sure looks different…
Rob
Not to infringe on anyone’s thread-drift proclivities, but here are three views (once again thanks to Mr. D’Arcy) of another Taylor chanter that also has these third-octave keys: