Unstamped Chanter

Have a chanter in for reeding that owner thinks is a Dave Williams however from the style and dimensions it is more likely Peter Hunter (or one of his pupils).
Tubes are all hand rolled and feed pipe from bag has the characteristic rounded triangle section. Mounts are of elephant ivory which unless the maker has a cache dates it to before 1986. It is 367.5mm (14 7/16") long and is playing spot on 440hz (22C) this morning
If anyone can do a positive ID it would at least help the owner who is thinking of selling it.
Chris

..

Thanks for all the PM’s, phone calls etc. As suspected Chanter is confirmed as a Peter Hunter circa 1990

Jack Devereux has a chanter that looks like this.
I have sent him a PM may be he can help identify it for you.

… Ed

That is almost deffinatley a Hunter chanter. I have one that is identical to it. If you get it reeded up right, it will blow your mind. They are great chanters.

-Jack Devereux

Yes! lovely, that is one of Mr Peter Hunters Chanter, :astonished: but it looks like one of his earlier ones, what is the length of the chanter,
14"1/2 inches should be the length, 42-44mm hand rolled staple, I find works for his sticks. :wink:

The flattenned/hammered bend at the top is a dead giveaway.

Yes, certainly a Hunter. Dave Williams has never made those ugly (I think) bulbous wind caps. Dave has also always stamped his pipes from the beginning. My chanter is stamped Williams Newark for ex.

Ugly, bolbous wind caps, :open_mouth: careful, :smiley: that was the old tradition way they were made.

Its called, a swan’s neck. :really: :wink:

Well, “traditionally” they tied directly into the bag, no metal tubing at all in the top.

Are we gonna have a fight now? :laughing:

I feel a lock maybe coming this way :tantrum:

Lets not fight about it!

The chanter cap was designed by Peter to (in an ideal world) be largely hidden by the bag cover, which would be elasticated and sit about 2" above the ivory ring (hence the taper). The intermediate design between tying in the chanter directly and Peter’s design was a roughly made swan neck - unpolished - which you were never meant to see, but which avoided the crinkly bag syndrome of directly tying in.

Problems with splitting can occur in caps with less meat at the top, I’ve seen this happen myself when you try to get a good seal on the swan neck, lots of thread, shove it in hard - oops I’ve split me cap . . . .

The swan neck design that Hunter uses now is only 11mm in diameter, in a brass plug (below), which takes some of the bulbosity away. More bulbosity will be removed “in the fullness of time . .”

It’d be a dull world annyway if we all liked the same aesthetics . . .

sorry about the enormous (should I say bulbous) picture - I currently have no image-editing software. poor me.

Has anyone heard Cpt Beefheart’s “Trout Mask Replica”? When one of these is on the lathe at 2000rpm it is indeed. . . . .

“Fast and bulbous!”
“bulbous also tapered!”

:party:

My Chanter! :smiley:

I was gonna post a pic of it, since it’s nearly identical to the one the thread is centered on, but it seem redundant after all the confirmations. Thanks again Sam.

-Mike

Fair enough then if the bulbous wooden part is meant to be hidden by the bag cover then I could prehaps tolerate it :laughing: But I don’t really like the idea of it lurking there bulbously :sunglasses:

In a couple ways, it (the windway) reminds me of the Taylor’s (and those who emmulated them) work.

Here’s the chanter top from my Peter Hunter B set (circa 1985)

I believe it’s based on a Coyne chanter. There’s a definate bulge in the chanter top, though not to the degree of some of Peter’s later work.

No E

Compare it to Seamus’s… it’s d’image!

PD.