Received Erle’s Black Diamond C whistle today (yes, I chose that one over the D based on the clips and the usual prompt and helpful response to my questions from Erle and others) from Doc Jones - he’s in Idaho; I’m in New York. I was elated yet somewhat alarmed at the speed with which the whistle arrived. A standing household joke is the speed at which the local Chinese takeout delivery gets here - hang up the phone and the guy is at the door - a really great feat when applied to whistles.
Anyway, I just got it - used the tuner, went up and down the scales, did rolls in both octaves up and down, played various tunes (airs, reels, jigs) with ornamentation, blew the notes into both octaves up and down the scales, and tested the high B on that section in the Londenderry Air, messed with the tuning slide, etc.
So just a few first impressions. It reminds me of my Humphrey, but I won’t go there because that’s on loan and I really can’t compare; also the Humphrey is a D and the wide bore model - my guess is is it would more approximate Bloomfield’s narrow bore Humphrey (yes, we will simply have to compare these, albeit D to C).
First, there are no real black diamonds, just an affixed decal denoting “Black Diamond C” on a black diamond background. The black delrin head has what looks to be two lines of separation (3 pieces?), including two differing diameters, with an exposed (as on other Syns)brass pin. It is definitely narrow bore - I am a genius and can tell this because the tube completely fits within that of my Burke Black tip brass session C and even fits partially within the end of my Sindt C (these maneuvers should only be attempted by professionals in a safe setting).
Tone hole spacing and size very much like the Sindt, but the BD is lighter - this is thin walled brass - feels just right to me.
The tuning slide, which like the Humphrey is accomplished by moving the delrin head up and down on the tube, is a bit difficult to work with but perhaps will get easier in time (anyway, seems in tune in its original position).
Now to the important part - playability and sound. I think this is a particularly responsive whistle - I know this is easy to define yet a source of great difference of opinion among players. All ornaments are easily and crisply and quickly accomplished (within my own limited skills), there’s an ease of blending breathe with finger movement to get notes back quickly and fully - fingers seem to fly and stay close to the whistle, no straining to alter breathe - all seems to flow naturally, yet providing a nice full clear tone with some attack chiff. Ample volume (perfect to my taste, probably "moderate’). Also easy to slide notes. Lovely tone, easy transitions, nicely balanced, just a hint of jasmine…(sorry) ![]()
Enough blather; I really like it a lot so far, am keeping it and will probably get the D when I get back from Wisconsin, Michigan, Illinois, Ohio - after all I can just have Doc teleport it.
Philo