Tannahill Weavers concert review

Max and I showed up around 7:20 for the 8 PM show. We had been told we could buy tickets by phone or at the door, but when I called to confirm the show, I couldn’t get an actual person on the line, so we didn’t have tickets yet. Imagine our dismay when we saw the sign: “Tannahill Weavers! Tonight! Sold out!”

We went up to the booth anyway and managed to get on a waiting list. The teller said it might be 8 to even 8:10 before she would know if there were enough cancellations for us to have tickets. We decided to wait it out, and headed outside to do a bit of whistling – of course, I was packing a Laughing! I played a few tunes out by a fountain in front (with a sign – “Please do not enter the fountain.” ?? ) I was near the end of Boys of Bluehill, trying to ignore staring passersby, and preparing to go into Off to California, when I realized there were two people standing right in front of us. I managed the transition and then opened my eyes to see whether they wanted me to stop or were actually enjoying the noise. It was my whistler/fiddler friend Stephanie and her husband! They had come in from out of town for the show. Of course, they had their tickets already, sixth row! Not bad at all. They wandered inside to get seated and I played a bit more, then Max and I went in to hover by the ticket booth.

At 7:55 we snagged two tickets! ($16 each, not bad.) Unfortunately they were not in the same location. We had no idea what the ‘good’ row letters were so I flipped the tickets face down and let Max pick which one he wanted. I ended up on the end seat in the second row! About 10 feet from a whistler/piper. Very cool.

So – Tannahill Weavers is a five-man group. From left to right on the stage, they were John (vocals/fiddle), Phil (vocals/flute/bodhran/whistle), Roy (vocals/guitar), Leslie (vocals/bouzouki/keyboard), and Colin (bagpipes/border pipes/whistle).

From left to right in the above picture: Phil, John, Roy, Colin, Leslie. I didn’t take the photo, it’s from their website, http://www.tannahillweavers.com .

The music is great, and the guys are very funny, they were cracking jokes and telling stories all evening. I would repeat one but I am a lousy storyteller. :slight_smile: I did my best to identify whistles but it was pretty tough. Colin had three that he played. Two were nickel Generations, I am guessing they were Bb and Eb, not entirely sure though. Bb is reasonable for Scottish music and I have one, and the dimensions looked right. I’m not sure on the smaller Generation – it didn’t look quite right to be a D. Steph and I were speculating maybe it was an F, but on Dale’s whistle keys page it says Eb and Bb are related, so… shrug This smaller Gen had electrical tape on two of the lower holes, and it didn’t look bad, so I may try that on my Gens. Colin also played what may have been a low Eb, again I’m not sure on the key. It looked like aluminum or something. I think Steph suggested it was a Chieftain? Hope she comes on and corrects me. :slight_smile:

Phil played two whistles in addition to his flute: Another Gen nickel Bb and what looked like possibly a Ralph Sweet. Do they come in Bb? It looked like it might have been wood (maple-colored) and I thought I recognized the headshape from Paul’s Sweet, but after the intermission I wasn’t sure. It might have been metal. He was much farther away from me than Colin was, and of course I forgot to ask him about it later!

The show lasted about two hours with a 20 minute intermission where you could buy merchandise. After the show, the guys came out and spent over half an hour signing CDs for people. I hung around to ask Colin about a weird ornament I saw him doing, and he taught me how to do it. I know the THEORY but have a lot of practicing to do. Basically he brought his right hand up and used his three fingers to bounce his left ring finger, to make a sort of quick trill/roll. I tried it a few times on the Laughing (and he was amused to see that someone brought a whistle!) If I ever get it down I will post a video clip! But I was thinking about that so much that I completely forgot to ask about whistle makes and keys.

So – that’s Tannahill Weavers. Highly recommended. Extremely good players; the piper is younger than I am (though not by much) and he is an incredible piper.

I’m delighted you liked them. They’ve been an institution on the Scottish scene for at least 20 years. They regularly dig out old tunes and, IMO, really do them well, as well as chestnuts others wouldn’t dare attempt. Maybe they suffered a bit unfairly for many years by comparison with Silly Wizard who were a riot on stage and had, in Andy M. Stewart, a singer and witty lyricist who could perhaps be equalled but not bettered. In comparison, they seemed a bit scholarly.

Well, let’s hope they get the attention they deserve now. That’s a really nice photo BTW.

I’ve had one of their albums for several years and always liked it but among family members even the ones that like Irish music can’t stand it for some reason so I don’t play it much and haven’t bought more. Too bad.

On 2002-10-17 18:55, Michael Sullivan wrote:
I’ve had one of their albums for several years and always liked it but among family members even the ones that like Irish music can’t stand it for some reason so I don’t play it much and haven’t bought more. Too bad.

I’m curious to know Michael why they don’t like it. Is it that they don’t like Scottish music? Or have they been fooled by the ‘dry and scholarly’ false impression that I was alluding to. If it’s a combination of both, here’s the best fix I know of. First buy Silly Wizard’s ‘Live Wizardry’ album and play that to them. I’d confidently say that if a real lover of celtic music hears that album and isn’t moved then it’s time to arrange a funeral—for them. Then when they get to like the songs there that are not funny and in-your-face, as they will do eventually, play them some Tannahill Weavers that they haven’t heard yet. They have two ‘best of’ albums each covering about a decade and both are excellent but, like most of their work, subtle in the pleasures they offer up. If that doesn’t work, listen alone with earplugs.

[ This Message was edited by: Wombat on 2002-10-18 02:56 ]

Wombat,

as far as I can tell it’s a combination of the bagpipes and the singing. I don’t think it’s Scottish music per se–Silly Wizard does indeed seem to go down all right. It’s a little bit of a mystery to me too.

My parents aren’t the only ones that seem to have decided that bagpipes are the devil’s own instrument. It’s as though everyone at one time or another has heard a really bad piper play Amazing Grace very slowly and loudly just out their window and now think that all piping is like that. It get really frustrating when you put something on and within ten seconds the groans start up.

I’ve always found that folks either LOVE pipes or they HATE them. As a piper I can tell you that’s the reaction we get. There is no grey area, it’s either black or white when it comes to pipes.

And I too was lucky enough to see the Tannahill Weavers a couple of years ago. They were amazingly wonderful.

Sounds like a fun concert! I’m interested in seeing this new ornamentation, Beth. Practice up!

:slight_smile:

I think they change pipers maybe every 2 years or so. They’re great, though, and I really have enjoyed the concert performances I’ve seen myself.

Did Colin play borders/smallpipes much, or mainly highland?

Stuart

He probably did more on the highland pipes but alternated amongst highland, border, and whsitle a great deal. Several times, within a single tune.