I like the idea of a whislte with slightly flat high notes. When I play slow airs (solo) on any expensive, exquisitely tuned whistle, those high notes sound a bit sharp for my taste. I sometimes deliberately flatten a sustained high b or a by covering the bare edge of the hole. It sounds much nicer to me.
Tony
Thanks for all the helpful input. I really appreciate the generosity and willingness to help of those on the board.
In response to the various suggestions, a Reyburn has been ordered.
Tony, I totally agree with you!! The highest notes are a bit screamy when tuned to concert pitch and a touch of flatness really sweetens up the scale especially for solo work. So whatever your preference, I’ll make either.
Ronaldo