hi guys, forgive me if this the Nth post on this topic (I might even have posted one myself)…but:
how is it you manage to slide into the Cnat? It is used quite a lot, but i cant make it out. On a flute, it is possible by covering RH1+2 and rolling them off…but you can’t really roll fingers ON to produce a sliding effect, can you ?!?
instead of rolling, push your fingers forward from the joint to ‘roll’ them off the holes. It’s a sort of combination of straightening and pushing them at the same time.
This is usually accompanied by two other motions, carefully timed: one, roll the L1 index finger slightly by straightening it while keeping it against the side of the chanter, this “half holes” the C# note. At the same time, raise the chanter off the knee slightly. It’s a complex triple motion, and timing is important, but you get a lovely effect. You can then add a small vibrato by “waving” R1 and/or R2 once you have raised them off the chanter.
The pic of Seamas shows the Cnat finger and G finger OK, but Seamas is doing some other fancy stuff with the E fingers in that shot (and the F finger appears to be down).
Normally the E fingers would stay on chanter during the Cnat.
Like everything else on UPS, there is more than one way of doing things. Raising the chanter slowly off the leg while opening a note can be pretty tricky to hit at first (I consider it a technique in itself). Another way to get that long slow glissando up to Cnat is to start with opening the lower fingers first, just a bit. Then start to slide the Cnat open. As the Cnat opens more, you can open the lower fingers all the way. I would suggest mastering this first before trying to pop the Cnat.
Err, since you were the one asking, I still recommend keeping the E fingers on. I haven’t yet seen a chanter that wanted the E fingers off for Cnat, but there’s some odd stuff out there…