Rudall & Rose, Prowse, Wylde, Hawke, Boosey Prattens, Wi

http://i267.photobucket.com/albums/ii286/holmesway/ManyFlutescomp.jpg

Many Flutes

This is a collection that came together as a mix of flutes either owned by friends, customers, fellow muso’s etc. and just happened to be in my possession. Naturally I took a “family” photograph!

Top to bottom;
Wylde (Jim O’Boyle Durham UK)
T Prowse (NH)
Rudall & Rose (T McElvogue Dublin) - Boxwood
Holmes McNaughton
Holmes McNaughton med hole prototype rough keys & redrilled holes to retune etc
C Wilkes (NH)
Hawkes Eb pin mount (NH formerly H Hamilton)
Boosey Pratten in F (NH formerly T McElvogue)

Veeeeeeery pretty. Drool!

Lovely indeed – spectacular even.

Excuse my ignorance, but what’s the purpose for the wide silver band on the lower middle joint of the RR?

makes a nice wallpaper - thanks :slight_smile:

R&R TMc

R&R T Mc band

I think this wider band (in answer to your question) was manufactured like this originally but may have been the manufacturers attempt at strengthening this weakish area in any flute but particularly in a boxwood flute. It may have been requested by a customer. It may have been noted that the wood here was showing signs of stress when being made and Msr R&R thought it best to add this in attempt to compensate (serial number 2071)

Regards

H

Anyone who thinks boxwood flutes are polite-sounding should listen to Tom winding this beast. It’s a cracker! Thanks for the pics. Cheers,

Rob

If thats the same one he used for his tune samples I have to agree.

It looks as there is a bit of Nicholson influence there?


Is there a cutaway at T1? The ivory emb inset?

That is one FANTASTIC picture! (Whimper, whimper!)

It would be great to hear a sample of each, but that would be a task…

Thanks for posting the pic!

Jeanie

Also re: Tom McElvogue’s R&R;

Is it a Patent Head? - looks like…

Are those black (?ebonite?) rings original, or are they a subtle means of lengthening a High Pitch flute to get it down to A=440? The one between the crown and the top ferrule ring just slightly spoils the proportions and the ones between head and tuning slide also look a touch out of place… The others one might have ignored as just an unusual decoration, but the overall effect is somehow uncharacteristic of usual R&R aesthetics, I feel. I’m not objecting, BTW, just curious; if they are a modern modification and make the thing play right for current use by a great fluter, great way to do it. Mind you, that serial no. is a bit early for seriously high pitch… I’m just musing now, and I realise Norman may not know the answers/history of the instrument, but it is rather interesting!

The dark rings I suspect (dare I say it) are Rhino’ horn or bone and they are part of the original manufacture as there is boxwood underneath, so not an attempt to retune. It is the very flute that Tom Mc used on his website samples so as you can hear the flute plays in CP without any difficulty, to Tom anyway.

It is not a “patent head” there are no signs that it may have been in the past.

Kind regards