Does anyone have this CD by Jean-Michel Veillon, and if so, would you be willing to sell it to me? I understand from JMV himself that it is no longer available, but I love BEO! so much I would love to get a copy of this.
I’d sure understand why you wouldn’t want to sell it though!
I just listened to the samples, and my fingers clicked on the
buy it link all by themselves. Then my credit card jumped
out of my wallet, and the numbers appeared on the screen,
then the computer downloaded the album.
This is my favorite of all of Jean-Michel’s albums, really wonderful stuff. I’m sorry to hear it’s out of print. It was recorded at his home studio, I believe, which is an idyllic spot, a beautiful little building next to the old stone farmhouse where he and his family live in northern Brittany.
I’m back playing the flute after a long hiatus, and listening to this album again. Extraordinarily beautiful music, it’s been too long since last i heard it.
FYI, Jean-Michel has a new CD just out called Toud’ Sames…not a solo album but with a band with the singer Lors Jouin, bassist Alan Genty, and two percussionists.
It should be available shortly from Coop Breizh; some details (in French) here:
Thanks Brad for the heads up about JMV’s new album.
I also downloaded Pont Gwenn Ha Pont Stang from Jamlabel when this thread started. Really great album.
Jamlabel only provides the cover image and track titles though. Are there any liner notes with the original CD? Like who does the spoken word (both child and adult)…
Yes, there are liner notes, but not very extensive…I’ll scan them and post the scans here shortly.
The first poem (track 7, Adlodennañ) is recited by Gi Loadren; the second (track 10, Menez Bre) is recited by Rose Troadec. Both poems were written by Fañch Peru.
Track 12, the air from the Isle of Man, is 1 minute and 45 seconds of pure and transcendent sadness. It’s my favorite on the album. As usual in the playing of JMV, every second of every note seems both thoroughly thought through and controlled yet also overflowing with feeling.
Carol
PS Anybody know more about this air? And is it air or aire?
I have this album and my husband absolutely gets fuzz on his teeth listening to it. He refers to my flute-only recordings as “monoculture single track” music. The Breton music particularly sets him off, with its short repeated phrases. I figure if I keep all my JMV recordings and play them occasionally, he’ll build up a tolerance for traditionally played Irish music.
I do enjoy this one, though. I am in awe of his clarity of tone in such a wide range.
One of my favorties on the cd, too. The bit where Yvon starts the chords and JMV goes from the slow air into the triple-meter always sends chills up my spine.
I like track 6 too, and of course the reel set on the F flute.