First, please allow me to apologize for breaking in here with a post that’s actually about a whistle. But it’s interesting, sometimes, to talk about whistles on the PostStructural Whistle Board… I guess?
Today, I received an amazing package - a Busman whistle with NO WOOD and NO METAL and NO GLUE! Yes, it’s the one Paul, himself, wrote about in recent threads. So, being a whistlesmith myself, and considering Paul both a colleague, and (now, with the rise of Polymer) a competitor (just kidding!) I thought it would be appropriate for me to REVIEW this amazing bit of whistle HISTORY!
The Busman Polymer is machined from pure white, slightly translucent, Delrin plastic. I say “machined”, not merely “manufactured”, because this thing is a work of the machinist’s art nonpariel. Fit and finish are utterly impeccable. The tuning slide, machined right into the barrel/fipple pair, fits with precisely enough natural friction that no other treatment is needed to keep it in place, yet it operates with a wonderful, silken smoothness. The fipple is assembled from tube, plug, and surround, with NO adhesive - friction-fit only, and that fit is PERFECT. No detail has been left to chance. The fingerholes are smooth, the mouthpiece is typical Busman, very comfortable. There is not a single “toy-like” aspect to be found in this whistle. It is a Professional Musical Instrument.
The Busman Polymer plays like a dream. Very low air usage for its volume, with good backpressure. Action is crisp and popping, slides are smooth, every decoration sounds better on this whistle than on any other I own, including the polymer whistles I make. I say that unreservedly - this thing is a masterpiece.
The whistle is perfectly in tune, both with my Korg Chromatic Tuner, and with itself, well into 3rd octave, and there is no discernable veriation in sound intensity between octaves.
Chiff is low in the first octave, a bit more pronounced, mostly as ring, in second. The basic voice of the whistle is sweet and pure, with a smoothness I formerly only associated with wood.
The volume is appropriate for small- to medium session play, and it is going to knock the socks off of any other polymer, and most wooden, whistles out there. If Paul doesn’t continue to offer this gem, I’ll have to send Guido around, because, folks, I want another one, this time E-flat! The Busman Polymer (may I dub it “Paul’s Polly”??? ) is about as near to the perfect whistle as most of us will ever come.
I will put up one or more sound files and will come back in with a note as to their whereabouts in a couple days.
Congratulations, Paul! You have created a masterpiece!
Bill Whedon
Serpent Music