For the last few weeks I have been working on several videos on HOW MY SILVER FIPPLE WHISTLE/ FLUTES ARE MADE. It was quite a learning experience. You can check it out at:
Hey Tyrone,
Great video and the music in the background is a nice touch.
Thanks
A note for slower connections / computers: The page linked above is video-intensive (it crashed my brower). Most others should be fine.
Took a while to watch all of those, but well worth it. I used to think wooden whistles were expensive; now I’m thinking they’re a bargain for as much work as goes into them.
…not just wooden whistles. Examine a Burke sometime, and consider how many parts he machines to exact tolerances, from 3 different types of material, for one whistle that he sells for $190. Examine a Copeland and consider it starts from a piece of seamless, straight, instrument-grade tubing (a bit more costly than what one finds in a hobby shop or hardware store). It’s a long, multi-step process just making the basic shape from the pipe, before he even starts to make the actual whistle, and he sells them for under $350.
Now stop to consider how much time and material and tooling a whistle maker puts into developing a “good” whistle (or developing whistles in different keys), and how much additional time and expense is spent on setting up a shop and developing jigs that allow them to replicate their designs with a good degree of consistency. One has to sell a lot of whistles just to break even on what they have invested - nevermind the years they have spent developing their skills and designs.
I mainly consider three things when I am trying to determine whether I think a whistle is worth the asking price. 1.) The overall whistle itself, and how it looks, plays, and sounds. 2.) The design, and the skill required to make it, and also whether I feel the design is durable, flimsy, or prone to making the whistle somewhat fickle. 3.) The quality of the actual workmanship, and the choice of materials. There is one other thing I consider, once I am satisfied on these other points, and that is how the whistle compares with others of a similar design, and what those whistles are selling for. For example, I could place an order for an O’Riordan for @$1,000, or I could buy an Abell for under $500, an Ormiston for under $400, or a Bussman for under $300, and probably not find much difference in terms of quality, or especially how each of those whistles will actually play in my hands - and be equally happy with any of them. Food for thought…
Examine a Burke sometime, and consider how many parts he machines to exact tolerances,
They’re CNC cut at his brother’s factory and assembled by his workers.
In his own words:
Well that just goes a long way toward emphasizing my point. Multiple steps, multiple people involved, - employees, use of state of the art metal working machinery - and still the whistle sells for $190 (without out-sourcing to China or Taiwan, I might add). - also, what we are reading here is Michael’s current method of production. - and of course, there is the basic design of his whistles (which as many of us know, has changed over the years) - which he takes most of the credit for in what you have posted.
Current method of production does not belittle how the Burke whistle came to be or continues to be - and as with Phil Hardy and the Chieftain/Kerrywhistles lines, or Stacey O’Gorman and Alba Whistles - the makers continue to develop and evolve their designs themselves, whether they are currently in mass-production or not.
Your argument is, as far as I am concerned, denied. 
I’ve never worked with metal but I’ve worked with wood quite a bit. Maybe someone who has done both in some capacity approaching the precision it takes to make a whistle can chime in on this, but I have to think that working with wood requires more patience and delicacy because the medium is less stable, will crack more often, will warp, will chip, etc.
Actually, I have, and I do. In answer to your question, it depends on the wood. Much also depends on the tools you have at your disposal, and the condition they are in… and then of course, there is your proficiency at using them. But yes, sometimes the unforseen does happen too, and other times we can “push the envelope” with disasterous results. Overall, wood is very nice to work with - especially very hard wood, because it machines easily (much like plastic) and it creates less wear on tools than most other materials. It’s also safer to work with (dust should be a concern when machining any material). Wood is easier to finish and can be more forgiving at the end of the process, but a little less forgiving at the beginning.
In all, it isn’t that much different than working with metal or plastic, yet it is different. Overall, the steps are basically the same.
Your argument is, as far as I am concerned, denied.
Was there even an argument? I posted a factual statement and a quote from the post that originally supplied the information.
You’re not in a position to reject those.
Hmmm… I don’t believe I did reject the statement (?)
I did however, decide to purchase one of Tyrone’s whistles. I look forward to giving it a try - hopefully by the end of this week.
Thanks for the videos and education Tyiam.
Are there any independent reviews of how your whistles play?
Without a doubt, they are gorgeous.
Those travel whistles especially seem to be great bargains.
That looks like a wood whistle that even I could afford.
Again, any reviews? Is a postal whistle tour in the future?
Hi Maki,
Thanks for the accolades…
I have been approached to do a whistle tour/ review and have decided that what is important is whether “you“ are happy with all aspects of the whistle.
I have had allot of positive feedback and only three people who were disappointed and they were given a full refund.
I strongly believe that anyone who pays $45.+ for a whistle and they are not happy with it, they should immediately send it back for a full refund.
When I send out a whistle/ flute, I have done my best and they are have slowly evolved over the years. Example is a “New Beak Shape Mouthpiece” on Whistle # 110A - Bolivian Rosewood flute.
The Travel Whistle/ Flute is my attempt to make an inexpensive whistle for the beginner or one
that could be taken along on hikes. It has brass fipple and end cap and is relatively easy to make.
-Ty
That’s more than fair…
Still, as a beginner, I sooooo enjoy reading the informed opinion of experts.
Call it vicarious living.
No whistle is going to satisfy every taste, this little I’ve learned. 
By the way, I’ve really enjoyed reading your thread, ‘The Flute Maker - My activities in making Pennywhistles.’
Hi Maki,
Well I have to say that “AvienMael” has it right. The following flute makers set a very high bar and you will have a hard time finding a better whistle. I know because I own some of them and they are outstanding.
“AvienMael
For example, I could place an order for an O’Riordan for @$1,000, or I could buy an Abell for under $500, an Ormiston for under $400, or a Bussman for under $300, and probably not find much difference in terms of quality, or especially how each of those whistles will actually play in my hands - and be equally happy with any of them. Food for thought…”
One time I started a thread: “ New Abell whistle… Its a work of art.”
Just received the Abell Whistle - African Blackwood with sterling silver Standard (Key of D) today. It is truly an outstanding whistle… The very best out there in whistle land. A new standard for excellence. Something to work towards in my flute making venture. Excellent craftsmanship and sweet sound… Thanks, Chris.” I was surprised to see that there were people out there that disagreed with me.
I love doing what I am doing and right now am running about 100 to 1 in the positive feedback. I am not in any competition but if I were (in that the above flute makers do not make a $75. whistle) I would say that my $75. whistle is superior to any of the above flute makers… Ha… That makes sense it you do not think about it.
The truth is that we all enjoy having someone say something positive about our work and are often upset when someone doesn’t like it… But I think there is something to learn from the people who do not like what your are doing. It sometimes make you pay more attention to detail or buy that next large piece of equipment to do that little job that needs to be perfect.
I have had some serious whistle collectors who have purchased my flutes and positive feed back from several professionals but the one I enjoy is Jay B. from Confluence, PA: http://www.theflutemaker.com/video.php
The bottom line is do you really “enjoy playing” the whistle… If so, that is all that is important.
” I was surprised to see that there were people out there that disagreed with me.
Maybe your choice of words.
The craftsman moves in a different sphere than the artist.