Maybe some sort of stickied thread for this kind of thing should be made? A lot of these threads floating around these days…
Anyhow. Picked this one up at a session a few weeks back. I just can’t find the name of the bloody thing. Does anybody know? The recording was made only for reference, and nothing fancy, so the playing is shoddy, but who cares?
I have that polka as Mulvihill’s, only in D major (all C’s are sharp). Bet that’s real helpful, huh? Anyway, the recording I’ve got it on is Diarmuid O’Brien’s “Cairde Cairdin,” if that’s any use.
Well, polkas seem especially prone to eponymous titles: So-and-so’s Polka. Where So-and-so is the person who played it last night at the pub. So they’re effectively Gan Ainm, and it’s hard to put consistent names to them. I always wondered if this attitude about names is a Cork/Kerry thing, more than elsewhere?
Actually, it seems more often than not the naming isn’t merely arbitrary, but that they’re respecting where they got it from. There are a lot of Denis Murphy’s etc, but there are also a lot of tunes named after the generation before that. Names forgotten, but the importance of where it came from pre-eminent. It works with the locale names, too, as it is no doubt seen that where it came from is just as important as who.