Hi Derek,
I second what Ben said – there are several good beginner flutes and a lot of divergent opinions on them
. There seems, however, to be a general career arc for many aspiring Irish flute players: 1) whistle, then 2) a good inexpensive flute 3) initial frustration followed by 4) several months of mad obsession, 5) a six to eighteen month wait list for a premium handmade flute from a top maker, 6) deepening obsession & copious postings here (although the postings can start any time
).
The best advice I can offer is not so much a flute recommendation, but rather a strategy for making the decision because the truth is there is no magic flute perfect for everyone (except maybe an Olwell fully keyed monster flute
but you don’t wanna have to wait years for it). So here goes:
- Decide – however you can – how serious you are.
If you know that, come hell or high water, you wanna play Irish flute, research the high end makers on this bulletin board (use the search function – good stuff here, but read many opinions, all with a grain of salt and look for trends), try some out if possible at a local session or festival, then get on the Copley waiting list
– it’s only six months or so (or whatever high end flute you choose . . . I got a Copley for what it’s worth and its great
.
Some folks worry that this approach doesn’t allow for a cheap toe-in-the-water to decide. Fair point, but in truth really, really good Irish flutes ($800-$1200) are not more expensive than than any other serious instrument. Try buying a decent cello, say, in that range
.
Now, if you must do the toe-in-the-water thing (which, incidently is what I did) then . . .
-
Explore the well regarded inexpensive flutes. Again, search function. Some of the usual suspects are Casey Burns beginner (rave reviews of late); Tony Dixon polymer 3 piece; Olwell bamboo. There are opinionated fans of each of these
and I’m no exception. But when you get into inexpensive beginner flutes, you have another choice to make:
-
Wood v. Polymer. LOTS of robust debate on this topic. But here’s the bottom line: wood makes better flutes than polymer – that’s why at the high end, flutes are made exclusively of wood. So why go with polymer as I did? Because at the $200-$400 range, you can get a very good flute made from it (search: Dixon, Seery, M&E) AND its indestructible AND requires no maintenance.
On the wood side, it sounds, feels and looks better. In the $200-$400 range the Casey Burns beginner flute and Sweetheart flute come to mind. Again, seach function
. I havent played a Casey Burns but people who have absolutely raved about them
I have tried a Sweetheart Walnut at a festival and it was terrific – nice and resonant with a sweet and easy upper octave. The only caveat, is – supposedly, I’ve heard – they can be a little inconsistent, but I understand that is improving. If you can try some out.
While not wood, the other organic, non-polymer option is the Olwell bamboo – it has the reputation of being a real, professional level instrument – that is, it’s not a beginner instrument per se, but it is often purchased by beginners because it is inexpensive under $100 bucks or so. It’s apparently mighty, but it does have fairly widely spaced tone holes.
With all this said, I’d like to weigh in for a Tony Dixon polymer. I absolutely love mine – have been playing if for a little over a year. It’s got a great sound – I’ve actually gotten spontaneous compliments on the sound of it at a local session (note: compliment re: the sound not my playing lol) – for a polymer instrument it is very reedy and woody. The Tony Dixon is easy to play because the tone holes are small (thus easy to cover cleanly) and the finger spread minimal. Let me just say this: I just got my Copley, but I will be keeping my Dixon as a knock around flute
.
Bottom line: you’ve got a little homework
But it’s well worth it of course
.
Hope this helps 
Alan