When playing an FGA triplet (as in Tobin’s Jig), I cannot manage to sound G nicely with only one finger – the note comes out like some strange crowing noise even if I reduce pressure. I can play it with F and G fingers open, but then it loses the blip-blip-blip quality.
Any experienced pipers come across this and a remedy?
Some chanters don’t like the single fingered G in the lower octave. If you add a bit more pressure to it and shorten the length of the note you should get enough of a whisper out of it to maintain the popping sound of a stacatto triplet wiothout actually sounding the note.
I’ve played two chanters that do that. I was also concerned and talked to a friend of mine in Adelaide about it. He wasn’t concerned at all. Nearly all sets I’ve heared tend to do that (even Fromont’ ). Have a listen to Gay Mckeann[an/on] on the Volume 2 of the piping tutor. His set doest it as well. I also recall that there was an explination as well. Don’t be too concerned about it. I think it adds variaty to the tune , and gives the Uilleann pipes their individuallity.
Just to encourage pipers not to give up on the lower octave single finger G, I seem to recall two good recorded example.
Liam O’Flynn plays a lower octave GFE tight triplet into the D at the beginning of the Tailor’s Twist and isn’t there a reel on Atlantic Bridge where Davy Spillane plays a lower octave FGF tight triplet.
True enough sometimes Patrick, but there are some chanters that just won’t do it. I spoke with Kirk Lynch about it (his older chanters WILL do a 1 finger G, but the newer one I have will not) and he acknowledged this is a normal characteristic of the chanter.
I certainly wouldn’t call it a problem - if it’s a tradeoff for improvements in other characteristics, I’ll gladly take it. My chanter (made in ~2000 or 1999) is a masterful piece of work. But it still doesn’t play a 1 finger 1st octave G