For those of us not attending these outings, will you have a US distributor? Some have used Ossian USA, or CD Baby. It would be easier and cheaper than ordering from Ireland.
Guiseppe-‘member this Jersey, you know-HEY I’m talkin’ ta YOU! don’t you need Insurance, what with them expense pipes an’ all? Your 'nees could hurt-'ya knowwhatImean?? You could take these CDs off my hands, as a favor, yuh noh??
Hey I’m from Joisey and I resemble doze reamarsk ..David Power is from Jesey as well ..fact is he’s lost that auuuuuwful Watefud rish accint and now has melded in widda westuv us here in Joisey so watch it California Dude
David I was mesmorized last night. I was the guy in the white shirt in the front row off to your left. The chanter and drones sounded fantastic and your regulators sounded nothing short of Leo Rowsome himself!
I bought your album and have been playing it all day!
Was that “Trip to the Jacks” you played in the encore? Sounded so great on the pipes! Hope you dont mind, but I recorded you last night and I’m going to try and learn that tune from the recording.
I’ll second that! David is a terrific piper, had an audience of over 140 people spellbound for his entire first set, playing solo! And I think we heard the beginnings of a really fine trio with Donal Clancy on guitar and bouzouki, and Deirdre Connolly singing and playing whistle.
Hope you dont mind, but I recorded you last night and I’m going to try and learn that tune from the recording.
I’ll ditto that, too. Its “traditional” for piping students to record concerts, right? I drove home listening to the cassette tape, and as soon as I got home I started learning the Three Sea Captains.
One of the things I really admire is the range of David’s repertoire; not just reels, but jigs, hornpipes, set pieces, and rarely heard slow airs like Banks of the Suir. Played for almost two hours total, and I believe I am right in saying he did not repeat any of the 15 sets that are on his CD, (except the Fox Chase, Tally HO!).
The Trip to the Jacks was composed by Jackie Daly, it does go well on a real instrument (I have played with Jackie for the sets for years, hence the slagging)