On 2002-04-29 23:11, Bevoi wrote:
Heya,
I disagree with much said above. I have a Brendan White bodhran purchased in Cork, Ireland, and a modified Waltons (I’ve been playing for several years mind you). A good bodhran really is determined by the way you want to play it. If you’re looking to get a really large octave range out of your drum, a thick skin is NOT what you want. Thick skins generally give a heartier sound, but kills the resonance. You won’t see JohnJoe Kelly playing any thick skinned drums; he wouldn’t be able to get any high notes of them…
I’ll agree that the deep resonant sound a thicker skin offers is different than that of a thinner one, for most of us here in the US we also have to consider what climate will do to the drum. If in the summer time, I ever play session at a friends home with a swamp cooler, I can tell in about three minutes of starting to play due to the pitch drop. The opposite happens in winter with central heat.
You also may wish to think about two other points: 1. How long do I plan to keep this drum, and 2. If I ever decided to sell it (Heaven forbid!) will it be worth what I payed to someone else. I’ve played quite a few (read about 30 or so) Walton’s bodhráns, and while they are pretty to look at, I stopped buying after my first one. It now occupies a comfy niche at the city landfill where it belongs - nothing but problems.
As for ‘not being able to hit the high notes’, I’ve NEVER had troubles with this, unless I drop the skin tension so low it’s almost hanging off the rim. A big part of playing the bodhrán, is using your hand on the back of the skin to alter the pitch as you play. This SHOULD give you just about all the tonal range you’d ever need.
Keep in mind, that while the bodhrán can be dynamic as an instrument, it is NOT a primary melody instrument such as a whistle, and as such is not capable of playing things such as the Kesh jig! 
You also must consider the tipper or cipin(sp?) can have as much to do with the tone as the skin does. It’s important to find one that you find to be well balanced, and not too light or heavy in the hand. The length of the tipper will also affect speed, so whenever possible, try some out first, before you buy.
Anyway, I’d be happy to fire off some recordings of the Halpin drum I’ve got and I bet there are some others who have other makes that might be willing to share.
Oh yeah, one last thing to bear in mind: Service. If in fact you DO have anything go wrong with your drum, while it’s not the world’s most flexible instrument, it is still an instrument, and needs to be treated as such.
When the rim on my Walton’s warped and split the skin, I tried to contact Walton’s by email and phone numerous times, and was not ONCE granted the simple courtesy of a response! I tried going back to the store I purchased it from and they said “Call the manufacturer.” No help. Think I’ll EVER buy a Walton’s drum again? Hmpf! 
So just be sure your tail is covered before spending ANY money on a drum. Private makers are much more likely to stand behind their product than a big company.
Here’s the web addresses I could find:
Fred Halpin
http://www3.sympatico.ca//halpin/home.htm
Roundstone Mucical Instruments
http://www.bodhran.com/
Cooperman Drums
http://www.cooperman.com/bodhrans.htm
Good luck, and let me know if you’d like a sound file.
Bri~
http://www.mp3.com/blee
uilleann_craic@yahoo.com