Funny, but no single specific key really seemed to emerge. It was kind of universally, democratically — um, tonal? Atonal? Ab-tonal?
Suffice it to say it was a doomed experiment, no surprise given my crappy piping.
On the flute I usually play it in C (or would that be one of those A minor or __ modal things?) – a fellow who comes to our session plays it fingerstyle on his guitar, so that’s what we picked up. It’s nice in Em/G too.
I tend to think of it as A-mish as well. IIRC, that’s what Larry Nugent does it in before he rips into Down the Broom/The Gatehouse Maid, which makes sense and makes for a super set. Just as a note I think he does it all on an Eb flute, so that would make … argh, my head’s starting to hurt already.
Anyway, it’s one of my favorite recordings ever.
OK, now we’re all curious about yacht party. What the … ?
The Silly Cow Milking Her Joke plays fine on the chanter (or flute) in whatever weird modal key it is of G (tune starts on A).
AB | c2 e2 c2 | B2 d2 B2 | (3ABA G2- | G2 etc.
To get it to play well with D drones you’d have to drop everything a full step to start on G. Dropping it down a full step means cross-fingering, or better yet, keys, to hit the Bb’s and Fnat’s cleanly. Using keys means your fingers don’t have to get cross, and we all know what happens when our fingers get cross with us.
I just gave the G transposition a quick run-over yesterday and that will be the end of it altogether; even with keys it doesn’t make things any more pipe-friendly. I’ll leave that exercise in finger-breaking to the geniuses.
The party was no big deal, just a gig for a get-together of sailboater-geeks at someone’s house celebrating their first flotilla or whatever it is of the year. It was cold and wet, and they’d gotten themselves up early to enjoy their clammy time on the lake. Freakin’ Minnesotans. Utterly mad.