Unless you want to play with a recording, I’d change it to A min; to play in Ab minor, you’d either need to be REALLY good at half-holing, or have a B (or F#) major whistle hanging around. If you are pretty good at half-holing, then it could be done on a Bb whistle - play a minor scale starting on C# fingering (as if a D whistle), so:
C#, Eb, E, F#, G#, A, B (or Bb, depending on the exact scale), C#.
Or you could use an Eb whistle: G, A, Bb, C nat, D, Eb, F# (or F nat), G.
Or an F whistle: F#, G#, A, B, C#, D, E (or Eb), F#.
Personally, I think Bb would probably be easiest, purely because it’s easier to half-hole on larger holes. You may not agree …
It might just be easier to ignore the above and play in A min.
If you’re playing with other musicians, try to convince them that Ab minor is an evil key. Truly evil. And get them to change to A min.
It’s an a capella recording I’m trying to accompany…so I can’t change the key (or it would be in D!). It’s kind of slow, though so I may try half holing on my Gen Bb..
I have a lot in B major too that I tend to play along with on an E when I can.. E would not work for Abm though. I’ve tried it on this song and it just…isn’t right.