What is the ornamentation at 22/23 seconds in this video?

Whistle
21

For a full cran, with three cuts/gracenotes, you can use any sequence whatever for the gracenotes
F#GA (what I use)
GF#A (what Patsy Touhey used)

or any other, going up or going down or changing direction.

I attended a Mick O Brien workshop a few years ago and he used just two fingers

GF#G
or
F#GF#

I can’t recall which at the moment. He said that doing the crans with just the lowerhand fingers allowed him to use the A cut at any time to seperate notes or crans from each other without ever having to use the A cut twice in a row (which I have to do, being that I use a F#GA cran).

Thing is, these cuts/gracenotes are of such short duration that the actual pitch of them isn’t important, only the timing.

22

Cranlet… Cranlette… Sound suspiciously French to me. We can stay Irish and call it a Craneen, or go English for Cranning, Crannock, or Cranny, or Dutch for Crankin, or Latin for Cranule or Cranculus, or Italian for Crannetto or Cranilla, or… well you get the idea.

23

Well, if you’re playing your flageolet with the proper embouchure … :wink:

24

I would never do… I play my pipe with the right mouthshape.

25

Now, now. I did spell it à la façon Anglaise.

That sounds rather delicious.

26

I mostly do the middle D “cranlet” vented with G then A cuts, like Panceltic piper. The lower gracenotes give a nice sound in this ornament.