Here’s a lovely Bb tune from the 1706 edition of Playford’s dancing master.
It’s an indifferent dance tune, but if you slow it right down, it suddenly coalesces into a gorgeous sad melody. I don’t have a Bb flute, so I’m playing it on tenor guitar, but I bet it’d sound terrific on one.
Neat tune, s1m0n. I have a question. When I run it through the Concertina.netTune-O-Tron Converter, I get an odd first line. Do you know if this is by design, or am I somehow introducing an error when I copy your ABC and paste it in the tune-o-tron?
Here’s what it generates:
It’s certainly possible that I’m doing something wrong here, as I’m only a rank beginner as far as ABC is concerned.
I believe it’s rendering the “F:http://www.kennaquhair.com” line as ABC. No clue why, mind you, but notice that the odd line starts on F, and is in the key of C (because the key of Bb is not set until the next line).
If you erase the F: line, you’ll get what Simon intended.
Cool! I’ve been playing quite a bit in Bflat on my (still seemingly new) traverso, to get the hang of it. Bflat, played on an A415 flute, is a REALLY cool key. And this tune has quite a manageable range.
I probably oughta invest in a copy of Playford. I love those sorts of tunes.
The Barlow book referred to in the ABC is the one you want–tons of great chunes to be found among the 534 it contains. I sometimes flip to a page, pick a tune at random, and play, just to hear how it sounds–that’s how I found this one.
Much of it, sadly, is in woodenflute-hostile keys of C, Bb and F, but it you’re nimble at transcribing (I’m not) you can sort them out.
Incidentaly, I did the transcription using Jens Wollschläger’s ABC-Transposer, a java-enabled web form. It worked impprefectly, having rendered the G#s in the fifth bar of the B part as G naturals. I had to fix them manually. Still a lat faster than doing it by hand, tho.