I have found that 90% of the music performed by my band uses one of the 8 major and minor keys, covered by D and C whistles. I own whistles in other keys, but do not use them, as often. Of those, the Bb and A see the most use.
I play a number of high D and C, and low D whistles, with my band. I have not purchased a whistle in any key, for quite some time. Because of some new band arrangements, and the addition of a viola to the band, I thought it would be desirable to purchase a low C whistle. The potential for interesting low backing harmonies seems endless…
I first learned that these instruments are rather expensive. Even ignoring the fact that the exchange rate between the Euro and the dollar is a killer, if one lives in the United States – the prices of low C whistles are still sobering.
Saving my pennies, and throwing caution to the wind, I contacted Colin and Brigitte Goldie – again – and placed my order. Colin is in the throes of designing and building a new shop, changing the name of his business, (including the incredible amount of stress and work necessitated by this action), and changing anodized-finish providers. And yet, Colin graciously added my instrument to his workload. My final decision was to go with a narrow bore low C, with a natural finish. (Narrow bore is just slightly larger in diameter, compared to his ubiquitous low D.)
Colin informed me that my whistle is the first low C produced under the Goldie name, and by good fortune, is actually the first Goldie whistle, shipped to a client. I feel honored to be a very small part of the Goldies’ new venture.
My anodized Overton low D has always been a simply marvelous instrument. It is comfortable to play over its entire 2+ octave range, and has ‘that sound.’ When I received my new Goldie low C, my first impression was that it was larger than I expected. I took a look at the spread between the lowest two fingers, and knew that it would take a bit of adjustment. The fit and finish are superb, and are up to Colin’s normal high standards.
What I truly did not expect was the sound. While my low D is solid and growling, this low C absolutely barks, down low. Yes, it is a small challenge to ensure complete coverage of the tone holes, but when it works, it really works. I have slightly modified the angle of my grip, and must angle the instrument itself, a little more to the right side of my body, than the low D. With those minor adjustments, my settling-in time with the instrument has been very short and painless. No, I am not completely comfortable with the instrument yet. It is a beast… I marvel at those who handle a low A or G, with confidence. However, I will soon play the low C, in concert.
I wish to thank Colin and Brigitte for another unique instrument, and wish them both the best in their new endeavor.
Best.
Byll
