Ronaldo Reyburn NEW D/C Set Review (now w/clips)

Two years ago or so I bought a Reyburn D/C Set, that I liked very much. (See the end of this post for links to a review by Brother Steve.) Back then I wrote about Ronaldo’s D/C set:

I was understandably excited when Ronaldo announced a new model. He sent me one to try out. I found that it hardly differed in looks, but that it played very differently. Most significantly, Ronaldo had opened up the windway and adjusted the blade, so that the whistle took more air, had a bigger, chiffier sound, and played more like a wide-bore wooden whistle than like a brass-and-plastic whistle. Still a wonderful whistle, but it did not suit my style and preference as much. So I wrote back to Ronaldo.

Here is what’s so wonderful about the world of whisteling and hand-made whistles. Ronaldo’s response was: Hang on, I’ll make one that will suit you.

So he went and modified his new model, making a new new model. He narrowed the windway, probably did other things to the mouthpiece I am not in a position to notice, and re-drilled the holes.

From left to right: The original Delrin-head model, the new model, and the modified new model.

A close-up of the three heads is here: Heads: Old, New, Modified

To show the difference in the windways, I took this picture:

From left to right that’s the Modified, New, and Old models. Notice the height of the windways between the Modified (smaller) and the New (larger) models. (On this picture you can get a sense of the different ramps.)

Here are my impressions of the Modified New model, which I believe may be one of a kind. Like all high Reyburns I’ve played, it has a very full round tone. There is a bit of chiff to it, a bit of breath that is more perceived by the player than by the listener. The tone is strong and the whistle is fairly loud, but well balanced between the octaves. Considering that the tone is basically pure, the whistle is very strong and versatile, and I’ve used it for playing dances. I’ve gotten compliments for the whistle, too, the sound is very beautiful: mellow and rich and pleasant.

The Modified New model is responsive and fun to play. The separation between octave is good (that how hard to I have to blow to push the whistle into the second octave thing), but perhaps not as easy as on other whistles because it takes very little to go from one octave to another for the d, e, f and a bit more for the g, a, b. I like that very much because it makes the whistle very fast for playing b/c#/d triplets or things like the beginning of George White’s Fancy provided that you have good breath control. This is because the Modified model offers some back pressure (not very much, but more than the New model Ronaldo sent first.) It does take more air than most whistles (such as a Sindt D or Generations, Feadogs, Oaks), but not such an amount that you couldn’t get used to it easily.

As a D/C set the whistle come with one head and two bodies. Of the two, the C set has the richer more vibrant tone, and at first I thought I much prefered the C-body on my Modified New model. Then I liked the D body better. Now I like both, but I think perhaps the C-body brings out the wonderful sound of the Reyburns even a little better than the D-body.

Great whistles, and hat-off to Ronaldo for being a great whistle maker and a pleasure to work with. I don’t understand why his whistles aren’t talked about more here. And don’t just take it from me, L.E. McCullough endorsed Ronaldo’s new whistles. Check out http://www.reyburnlowwhistles.com . Ronaldo, by the way, was the first maker I am aware of to offer just-intonation whistles.

I did record a couple of clips, both on the D and C, which I will get up shortly (I am having issues with my MD recorder, or it is having issues with me, I should probably say).

UPDATE: Here are two sound clips.

Clip: 2004 Reyburn Hi D

The tune is The Humors of Lissadell, played by yours truly for demonstration purposes only, and using the D shaft.

Clip: 2004 Reyburn Hi C

Another reel, Over the Moor to Maggie. Unfortunately the beginning got chopped off in the transfer to computer and I didn’t want to fix it (because it’s rushed and sloppy in the first place). This time with the C shaft.


For reference, here is StevieJ’s review of the original model, and an update on the delrin head. Another review by Micah.[/url]

I think it’s because they vary so much. People have come to know that if they try to have a conversation about his whistles, each person is probably talking about a completely different instrument than each other person (is talking about).

I loved the first Reyburn high d (the one that I reviewed years ago), but I don’t know if he made even one other that was like it.

this is getting me interested…a familiar feeling is coming up…
could anyone of you give me the stretch specs on the lowD, narrow and wide bore please?
How’s the back pressure on both models, i can’t deal with too much backpressure, do they clog (guess less likely cuz of the wooden fipple), the hole sizes themselves, are they large, small?
I think I want one already. I do own a few already, favourtie playing characteristics sofar i find in my Burke Al EZ (small finger holes, very low backpressure), favourite sound goes to the New Range Chieftain lowD (warm sound, quite loud).
thanks people.

A new Reyburn model? And it’s not even October yet! :slight_smile:

All good stuff. All good stuff.

I’ve had a wide bore low d for a few years. They may be completely remodeled since then; I don’t know. Mine clogs if I don’t use a soap or clothes drier sheet, then, it’s fine. The back pressure is low, very comfortable. You don’t run out of air uncomfortably soon. The tone is the thing. Totally unlike any other low d I’ve heard. In my imagination, it’s a deep hollow, mournful sound, suited to slow airs more than fast tunes. It takes a lot of control of breath to make it obey. A lot of practice is what I mean. My model, I wouldn’t recommend to a beginner. I admit I haven’t practiced with it enough to get the most promise out of it. I’ve contemplated selling it a few times, but with ambivalence. The conical shape of the Copeland I have is much easier to handle, so I wimp out with the cylindrical Reyburn. I’ve been curious about the narrow bore Reyburn in terms of playability. The wide bore is hard to play fast on. You need quick changes in breath pressure to make the notes sound right. I have some samples on the clips slow airs page. (Be aware one or two have slight reverb added.) Yeah, if Ronaldo could add a bit of reverb to the sound, that would be (I hate to use the overused ‘awesome.’ ‘Haunting,’ yeah, that’s it. -just to irk the pure droppers. Wait a minute, I’m a pure dropper, though a backslider at times.)
Tony

I like the fact that Ronaldo will custom-taylor a whistle. We spoke about he was aiming for, what I liked, and made a great whistle that suits me just from that. Same tonal quality, but different playing characteristics.

I am about as new as they come to Low D .. purchased the Reyburn standard bore .. maple head … with offset fingering … for left hand down. I have to practice constantly to be able to get the sound I want (or u would want to hear LOL!) I never understood about breath control until I got this whistle .. it is for me …much easier to play than my high Ds. It takes a very low amount of air and is unforgiving if I blow too hard or don’t have all of the holes sealed. That said … when I do manage to get it all right .. people like the sound.

I can’t play it fast .. but very few songs that I am interested in are fast so it is not a problem.

I don’t have any trouble making the jump to the higher octave and it is actually much easier than my high ds… and my dog is seldom bothered by the shrillness.. that I had on the high Ds.

I like the whistle .. a lot … think it has ended my search for any more Low Ds …

Jim

WOW!!! WOW!!! WOW!!! I have just recently tried Ronaldo’s new high D and it is stunnnnnning. Such a rich and strong low end and the upper end plays with ease. This one is a great session whistle and it can hold its own even with my Copeland. Don’t miss out on this beauty, its a real sleeper and I’m amazed that I don’t hear about Ronaldo’s instruments more here on the board.

constance

Update:

I’ve added two soundclips to the review, one on the D and one on the C. You will find them at the bottom of the first post in this thread.

Ooops, I enjoyed it, sorry about perverting its nature like that.

Hey man, don’t go copping my style. Believe me, you have a ways to go before you can reach my level of rushed sloppiness.

All right, all right. Just don’t use it to clean out the garage. :slight_smile: