I remember well…learning to do rolls / taps / cuts properly tore my playing to pieces. It took a long time to put back together.
But the first time it “clicks” and you get a smooth roll, one of those “magic” ones that fool the ear and make other (non-trad) musicians wonder what the hell you just did to make that sound…that’s one of those things you remember for a long time.
Yay! They’re tough to get going, and you have to make sure you don’t get lazy and
break the rhythm or make it more of a turn than a roll, but they’re worth it for the sound.
I listened to the recording of my teacher in Baltimore, when she was playing the tunes
we were to learn, and I realized I didn’t fully appreciate her ornaments at the time.
They’re amazing, bubbly, and rhythmic (she used to describe cuts, taps, and rolls as
“percussion”). I wasn’t good enough yet when I lived up there to fully appreciate what
she could have taught me. Now that just playing a tune doesn’t get in the way, I need
to find another teacher to refine my technique.
Uh, that was me "ACk Cough argh"ing as you choke me trying to reveal your secret about only being able to do f# rolls. And here, I thought you had them ALL mastered.
Oops, I let it slip out!
Of course, I am just jealous because I can’t even do that.