Ritchie Pickow Phototgraphic Archive - Rowsome, Ennis, etc

http://www.library.nuigalway.ie/Pickow/about.jsp

About the collection
In 1996 the Ritchie Pickow Phototgraphic Archive was acquired by the James Hardiman Library, National University of Ireland, Galway, along with tapes of sound recordings. The photographs were taken and the recordings made by the husband and wife team George Pickow and Jean Ritchie on visits to Ireland in 1952 and 1953. Two exhibitions of the Ritchie Pickow Photographic Archive have been held at NUIG in 1992 and 1996. It was under the auspices of Dáibhín Ó Cróinín, lecturer in the History Department of the university and a grandson of one of the vocalists recorded by Jean Ritchie, that the collection was acquired for the Library Archives.

Jean Ritchie, singer, folklorist and dulcimer player was born on 8 December 1922 in Viper, Kentucky. She was the youngest of a family of 14 children, known as ‘The Singing Ritchies’. Jean graduated from the University of Kentucky in 1946 and taught for a time. In 1952 she was awarded a Fulbright Scholarship to enable her to research the origins of her family’s songs in Great Britain and Ireland. Her husband George Pickow, a photographer, accompanied her and they spent approximately eighteen months recording folk songs and traditional musicians and taking photographs. The photographs include photographs of many well known uileann pipe players, for example Seamus Ennis, Michael Reagh, the McPeake trio, Leo Rowsome; vocalists, including Elizabeth Croinin, Sarah Makem and Mary Toner and story tellers, such as Patcheen Faherty from the Aran Islands.

As well as assisting his wife in her research George Pickow also used the opportunity to do features on aspects of Irish life . Christmas celebrations with straw boys and wren boys, life on the Aran Islands, Dublin scenes, the American Ambassador and his family in Ireland, the story of St Patrick, the development of Dublin Airport, operations of the Garda Síochána at Dublin Castle, and Irish sporting activities, such as road bowling, hurling, coursing, hunting and racing. Photographs were also taken of traditional Irish crafts, for example spinning, weaving, thatching and crios and sliotar making. In a video recording made with George and Jean Pickow in the early 1990s regarding their visits to Ireland, George says that these photographic stories were for the ‘Sunday News’ in New York.

Thanks, Jim.

I love these old photos, and these play out almost like a film.

Who’s the “other piper”, I wonder?
He’s identified only as “a youth”.

The NIU-G website leaves a bit to be desired, though… many of the links to the other photograph topics don’t work. :sniffle:

I’ ve seen some of the material, some of them are quitee wellknown. Lovely stuff, beautiful quality. The old rolleiflex had some quality that can’t be beaten.

Ever work in goldtone, Peter? The paper had some pics of Indians done about a century ago, beautiful stuff but pricey apparently.

Caption reads:Photograph of Jean Ritchie recording Seamus Ennis playing the uileann pipes Set in front of a traditional Irish dresser

I’ve played quite often in front of a traditional Scottish chair:boggle:
Both Seamus and I must share a love of International Furniture audiences…at least ye don’t get manic foot stompin… :smiling_imp:
Uilliam

The photos capture some nice moments.

Mukade

One from the photo series of Seamus Ennis with the kids was used as the cover photo for the UK release of Bonnie Bunch of Roses.

The Dude, Your avatar just induced a seizure. :boggle:

I have some of Jean Ritchie’s sound recordings from the Smithsonian re-issue of the original Folkways records, but I am wondering if this is complete. I can’t find any mention on the Hardiman web site if they are offering the sound recordings as well. Could this be because she collected mostly singing, but Hardiman was a fiddler?

djm

Cant seem to purchase these? anyone know about getting Prints. These would go well for my birthday gift :smiley:

Those pictures are amazing. They’re so clear and beautiful.

Cheers and happy happy,
Armand