My experience of getting a hard D to sound is the side-effect of a flat back D rather than a sharp one. I find that the more you scrape into the base (creating the āUā shape) or the more you scrape the sides of the upper portion, the easier it is to get a hard D. Scraping both these areas flattens the back D (the first far more rapidly than the second). I find that the further you scrape into the base, the smaller the tuning gap becomes between the soft and hard Dās (i.e. hard D isnāt so sharp against the soft D).
The balance between removing gurgles from bottom D without adversely flattening the back D has been my ongoing nightmare with reedmaking. Iāve cured all problems with my reeds reasonably early on, but Iām still struggling with the D issues 4 years down the track.
I hope you can find a solution to this problem soon.
With all things in making these little squeakers, going slowly, adjusting a little bit at a time, is the key for getting a good reed. A big thing to remember is to avoid getting the lips too thin.