Your message sent me digging. Back before I got serious about whistles, I bought an Angel recorder on eBay - but it appears to be a Baroque. It actually looks pretty much like that one. except that it only has a single band and the band is white metal rather than yellow. Not at all like the small inset baroque photo you included.
The only reason I mention it is a question - what’s the difference between the two?
Looks pretty pseudo-baroque to me. Renaissance recorders have a cylindrdical bore rather than a conical one, resulting in a larger looking bottom hole than the one pictured. Also, they typically have larger fingerholes, and the bottom two holes are ( I think) not double like the one pictured here. Actually, a Renaissance soprano is a LOT like a D whistle, but with a thumb hole. A Tenor is close to a low D.
This whistle resembles a Moeck student model recorder a LOT.
That’s precisely it. Surprisingly for a school instrument, which the seller told me it was, it came in a very nice zippered vinyl case. The markings on the case read 'Peripole: “Angel” Soprano Recorder Model PB600, Baroque Fingering, Made in Korea". The recorder is two-piece, the workmanship is excellent compared to modern plastic recorders.
Paul,
The bore is conical and of course it has all those holes. The head is, of course, large compared to the exterior diameter of the tube, but no more so than on a Reyburn whistle. Oddly, the overall impression is somehow whistle-like. and the tone is more reminiscent of a Sweet whistle than the wooden recorder with which I compared it.
So, what’s the difference between baroque fingering and that of a whistle, so to speak? And if this one is ‘baroque’ what other fingering system exists?
Yes, you are right. I also noticed the resemblance to the alto of the older series of Flauto Rondo Moeck recorders. I used the term “Renaissance” in quotes because it isn’t a Renaissance reproduction. But that’s what the maker calls it, apparently in reference to its straight profile rather than its bore, and I wanted to distinguish it from the other Angel recorders.
There’s also a lighter brown model, which looks nice, too, though I don’t think Peripole distributes them. Trophy has what looks like the soprano version of these.
There were various fingering systems in the past. It wasn’t standardised. Most modern recorders use one of two systems, the English Baroque system, and the German. The English Baroque system was used by Arnold Dolmetsch in his recorders, and is compatible with the fingering chart found in the 1700 English book, “The Complete Instructor for the Flute, The Second Book.” The German system was developed in Germany, and has some notable differences, being more similar to the fingering of the saxophone. Historical recorders of the Renaissance had several differences in fingering, which were greater in comparison to the Baroque fingering than the difference between the two modern systems.
After perseverance, I found that they can be ordered individually from Peripole-Bergerault. Only US$11.75, it is a beautiful instrument, in dark brown matte finish. It has a great sound, and is easy playing. It’s spot-on in tune with the Yamaha plastic recorder, which sells for $25.95, and, unlike the Yamaha, it has a curved windway. Makes a great alternative to my wooden Zamir/Gill alto. The rings appear to be of brass, rather than the silver-color ones of the older sopranos in this series. It came with a zippered case, joint grease, a fingering chart, and a Halo hanger, which is a specially balanced neck strap, that allows it to hang around the neck in an upright position, when not in use.
EDITED TO ADD: A clip. Not my best playing or recording, perhaps, but it is on the Angel alto recorder.
I did some checking on recorder fingering systems, and it looks like the German system is fairly similar to whistle fingering. The sources I read commented that the German system is tends to be less in tune than the baroque system.
Any comments?
I’m not interested in playing many different keys or playing chromatic music. I’m very happy with the whistle scheme where each whistle is best suited to certain keys, and would enjoy having an easy to play recorder or two that plays similarly to whistles.
The German fingering system is actually LESS like a whistle: the F natural is played xxx x which on a whistle is F# , while on the Baroque you have to fork it xxx x0x which is closer to a whistle (at least most high D’s I’ve played can give something close to a F nat like this) **
F# and C# would be different, but what looked similar to me is the fact that you go up the scale by simply uncovering holes working up from the bottom. No?
That to me is more intuitive than what I believe I remember of the baroque fingering system, which (if I remember correctly) requires more cross fingering to play the diatonic C scale.
They don’t have prices on the web site. I emailed a price list request to them, to no response. But got a quick response when I requested information on the price for an alto recorder.
The information is thus:
Alto recorder $11.75 each
Shipping (UPS) $7.02
This information is entered into their online order form, after which they will call to confirm the order. So really, one had just as well use their phone number to make the order.
The soprano recorder is $4.25 each.
In looking at the fingering chart for the English system, it might be better to think of the C soprano recorder as equivalent to a D whistle, rather than a C whistle, as the scale beginning from D is with the six fingers covered on the D whistle, and not with seven covered, as for a C scale on the C recorder.
Folks, just as a small bit of advice… avoid the German fingering recorders. They were invented, I think, in the 1930’s as a way to provide easier fingerings for children trying to learn recorder and who were having trouble with the ‘forked’ fingering patterns of the Baroque recorders. They produce a louder lower register that is easier to play, but the whole top register is almost impossible to play in tune.
I attended a recorder seminar last weekend, and sat in on a beginner recorder class to study an exceptional teacher’s method of introducing the recorder to new players. He told the class, if you have a German recorder, the best thing to do with it is take it outside and run over it with your car.
Also, as an FYI, the Rennaissance recorders indeed have a more ‘whistle’ like sound and are marvelous instruments. They also tend to be extremely expensive. I can’t wait until I can both find one at a good price and afford it at the same point in time.
Starr (counting the minutes until tomorrow’s Whistle seminars)
There seems to be more and more demand for an affordable Renaissance recorder. The less expensive alternatives being plastic Susato recorders and wooden Dream Flutes, both of which use English fingering. I guess these would be called neo-Renaissance, or perhaps pseudo-Renaissance instruments.
From what I see on the Recorder List, and elsewhere, the Dream Flutes seem to get favorable coverage for their price range (just under US$100 for a soprano).