my second low d keeper - its a reyburn

i recently purchased an alloy low d from ronaldo reyburn. what a great experience. ronaldo communicated clearly along the way and was happy to tailor fit his whistle to my desires. i could not have asked for more.

i decided a long time ago, my needs, budget, and time did not allow me the luxury of having a variety of whistles in the same key. so the idea of adding a second low d (an onyx is my other) took some time to get to. a few years ago i went on a quest to find my perfect low d. i tried several, all quite nice. however i settled on an onyx. but as my playing improved, i discovered i wanted to add a different tone for greater expression. hence my decision to add the reyburn.

here’s where i think the reyburn truly shines:

  1. the bottom register can be very expressive. i really like how i can lean into these notes . . . from the g to the low d, pretty amazing. especially the low e. the e seems to be weak on some whistles. not true on this one. this was a key factor in deciding to try a reyburn. i am very pleased with the low register. this is not to say the upper is bad - its spot on as well. but i desired a whistle with an exceptional lower register and the reyburn has provided that.
  2. the volume dynamic. the ability to lean into and out of a note creates a variety of options.
  3. the tone. to me, when all is said and done, it is the tone of the instrument which sets it apart. i recognize the tonal quality is personal to each individual, but i love the depth and complexity of the reyburn. it is very different from others i’ve played (and from my onyx).
  4. the back pressure. this was something ronaldo and i discussed. i ended up with his normal design, which he said is a medium blower. i like the phrasing it allows. it suits me well.

over the years, i have collected my “ideal” whistle in keys from high d to low c. one in each key. with this addition of a second keeper in low d, i admit the call of the slippery slope to add more whistles is getting stronger . . . however, for now, i choose to focus on playing the reyburn allowing it to train me to its nuances. what fun! thanks ronaldo!

Glad to be of service Tomcat. Enjoy your new instrument.
Ronaldo

www.reyburnwhistles.com

Yes indeed the Reyburn Low D I have (alloy tube, big black plastic head) has a tone that sets it apart from all non-Reyburns!

“Native American Flute in a fog” I call it. So amazingly rich and complex, hollow yet beefy.

I’ve blown through (literally) around twenty Low D different makers, and the ones with the strongest low range, and the most complex interesting timbres, have been the MK and the Reyburn.

However the MK and Reyburn couldn’t be more different from each other, tonally. The MK is gravelly yet bright, in comparison the Reyburn is much darker/fatter/foggier.

I’ve yet to use the Reyburn in a studio gig but I know it will record great.

I have played a bunch of whistles over the years but never found one I made time to play before I got my Reyburn alloy low D. I have really enjoyed playing mine. I have hardly played anything else since I received it