I noticed that in many if not most of the “action shots” in Hannigan and Ledsam’s “The Low Whistle Book”, the whistlers have the fipple in one corner of the mouth rather than in the center.
Most low whistlers I’ve seen, including those good enough to play at festivals, keep it centered.
Is there any reason not to center it? Was this some sort of trend in the years when most of these photos were taken?
I’ve done it just to keep the fipple out of the wind from the fan that sits just to the left of me in the Summer. Could also be useful in crosswinds in outdoor playing, I would imagine.
I don’t think any legitimate Highland pipe instructor would do such a thing. Standard pedagogy is for the blowpipe to be held in the centre of the mouth.
One of the many small things that make Army pipe bands look so good is the consistent posture: body straight, head straight, blowpipe in centre of mouth, etc.
Which is not to say that you won’t see good players with their blowpipes off to the side! A very fine piper I know plays with the blowpipe all the way to one side and his head twisted away from the pipes. He is quite short and I am sure that, as a youth, he learned on a pipe that had a blowpipe far too long for him, and the only way he could play is to twist his head to one side and have the blowpipe in the side of his mouth. Most teachers, most Pipe Majors, would long ago have chopped a blowpipe for him so that he could play the pipes in a normal posture.
It’s kind of like the Dizzy Gillespie thing where a great player can break all the rules that beginners are taught.
(I know you were being tongue-in-cheek but I still don’t like seeing Highland pipers being thrown under the bus.)
Back to Low Whistle placement, I have noticed, especially on Burkes, the big impact of how deep the fipple is in the mouth has on tuning. The whistle has the best intonation when the mouthpiece is kept fully in the oral cavity; if you back off and just have the tip of the mouthpiece between your lips, B in the low octave will be very flat.
Do you think that’s becuase the windway is getting slightly blocked by the lips?
I occasionally hold the whistle angled a bit to one side as well. I never made the decision to start doing it, it’s simply how I hold it sometimes without thinking. Not sure if I’m imagining it or not, but I notice that many time when I do it the windway of the whistle I’m playing will stay clear for longer.
No idea why many people do it, though. It might just be an automatic thing, one of the reasons listed above, or simply what is comortable.
Maybe it’s some kind of Freudian flute-envy in the subconcious of the whistler that causes people to do it
Well .. I know Steafan Hannigan, he’s not too far away from me. I haven’t seen his book but I’ve seen him play whistle and it holds it like everyone else … straight in front. Must have been something he did for the book?
There are pictures of a lot of whistlers in the book, not just instructional pictures, but what I called “action shots”, i.e., pictures apparently taken during live performances or sessions.