i asked the same question on the flute forum, but i whant to see if in this one it will come out something different 
so, i’m not an expert in flutes and i’d like to learn the difference between them… what are the differences between irish flute and low whistle? why usually people say that irish flute it’s better?
low whistles are cheaper, why should i spend so much more money for an irish flute?
Othannen
It’s just my personal opinion, but the flute and the low D whistle have completely different sounds. I’ve tried several low Ds and a couple of D flutes. The fingering is easier (for me) on a flute, and it’s also the sound I prefer. But it took playing both to find that out – and I’ll still keep both.
It really depends on what you are looking for. No matter what everyone else’s opinion is, you are the judge of what’s right for you.
Enjoy hunting for the right answer to your question.
Judy
i like the sound of a flute better than a whistle about 3/4’s of the time. i find playing the low whistle easier than playing the flute when i’m laying down on the couch. i prefer to play the flute around children. then when they ask to play, they can’t make a sound. if you give a child a whistle, they can make all kinds of noise and run around and won’t give it back.
you should ask this question in the pub or in the politics room. but don’t tell them you asked it in other rooms.
If you can not perceive a difference
then the less expensive
is the way to go.
Flutes sound better, but only when a really good player is using it. If everyone sounded like Kevin Crawford, low whistles probably wouldn’t exist.
But whistle is my first love so I have to stick with low whistles.
I think it’s probably a bit silly to suggest low whistleplayers are all failed fluteplayers. Both are separate instruments with different characters and purposes.
I think that learning to play the flute well, takes considerably more time and practice than learning to play the Low Whistle, hence why I am focussing much more on the low whistle for now, althouth I do like the sound of the flute very much.
I didn’t respond on the flute board. I’m both a whistler and a fluter (like most fluters).
I think the main thing is that the flute is so much more versatile. It lends itself so much more to so many more expressions and nuances. A good fluter can do lots more with a flute than any whistler can with a whistle. A whistle is easier to learn to play (to a certain point, because any instrument is difficult to master). But a flute will be so much more rewarding in the end. That also requires a hell of a lot of practice on your part.
I’m not saying that there’s no place for low whistle. I play them myself occationally. They are different instruments, but the flute is capable of so much more.
Listen to some good flute cd’s of the masters of this instrument. I recomend Matt Molloy, Kevin Crawford and Seamus Egan (though you will have to look for the flute tracks on his cd’s). The purists will say Seamus Tansey, Paddy Carty, Josie McDermott and others.
Probably the best is to buy the WFO cd’s. They have the best of the best right there and all different styles.
Have a look
http://www.worldtrad.org
Could you elaborate on the “different purposes” aspect of your statement?
Thanks
Yes, complementary, but quite different. I’d say low whistle is easier to get started with since there’s no embouchure to contend with, so you might want to start with that for a nice low sounding instrument. In time, it’s likely you may want to try flute too and by then you’ll be used to the larger finger spread.
In my mind they belong to different sorts of music altogether but seriously, if you look at the practical reason why whistleplayers generally take up the flute you’ll find it’s volume. Volume to play for dancers, volume to play with others. I can’t see the low whistle serve that purpose, I can’t see a low whistleplayer play for a set for example.
thank everybody, the answers were very usefull
Hrrrmm. . . fair response. I was frankly curious as to whether you think certain tune-types or musical styles fall better on a low whistle and not a flute, but yeah, flute’s volume definitely makes a difference.
Something of a cliche in “seltic” music is the low whistle for airs.
I didn’t want to go too controversial but I did say:
In my mind they belong to different sorts of music altogether
Henke, I am going to disagree with you.
I have a recording of the tune “Molly McGuire” in which a flute and a whistle take a solo and then play together. I find the whistle much more emotionally touching than the flute during the performance.
I think whistlers, being more “earthy”, bring nuances to playing that the more “sophisticated” flute player has lost somehow.
Also, see the “Whistle Philosophy” section of Bro Steve’s Tin Whistle site for another take on this.
I could point you to plenty of “earthy” flute players who would shatter this generalization. Most traditional Irish flute players would feel insulted if their playing were described as “sophisticated.”
In general though, I don’t think you can say one instrument is more expressive than another…in the hands of a good player a whistle is just as expressive as a flute. The flute has more potential in terms of volume, tone quality, dynamic range, etc., but I wouldn’t say it’s more “expressive” than the whistle.
I’m not really sure what you disagree with.
I never said that “the flute player who plays that tune Molly McGuire together with that whistle player expresses himself so much better emotionally than the whistle player and really brings out everything the flute is about.”
In fact I’ve never even heard the tune 
My point is that the flute is much more versatile, has a greater tonal range and can respond easier to different approaches and such by the player and therefor seems like a more expressive instrument. The fact that one particular whistle player can play his whistle with more emotion to your ear than another particular flute player can play his flute doesn’t really say all that much to me.
I’m going to go ahead and disagree with you on the “whistlers being more earthy and nuanced than the sophisticated flute players”- remark on the other hand.
Peter Laban…you can’t get a rise of these folks today.
I don’t know if this is a “rise,” but I’m learning something new about Low Whistles and Flutes…and the various attitudes towards them.
I had no idea that Low Whistles were considered, by some, to be a sort of “retarded step-child” of the Irish flute. And, that those who play them are failed flute players. And, that these Low whistles should play some “other” kind of music!
I mean no disrespect to anyone…and especially those who are truly steeped in ITM. I just haven’t been around the evolution of these things, and am not a member of any “in crowd.” I’m being informed of these things, even as we speak.
I love my little collection of Low Whistles. To me, they make beautiful music…and give me great pleasure! I’m also a bit earthy and sophisticated, and enjoy flute music as well as the whistle. (I’ve played flute in the past. Gave it up for mainly physical reasons. Can’t hold the flute-position very well. Sigh.)
If I ever get up the nerve to join a session, should I skulk around to the back of the bus…with my “illigitimate” Low Whistle?
In the context of the music that I like the low whistle is little more than a novelty item. Doesn’t mean I don’t like the low whistle (love it) and doesn’t mean I don’t play it (Overtons, yeah!). I’ll play low whistles during gigs but generally not in sessions (exceptions apply).
Now, Flute. That’s a serious instrument.