Louis McManus

On 2003-02-21 09:51, TomB wrote:
Steve & Wombat: Thanks for the update. I’ll definitely contact them about my interest in obtaining the CD.

All the Best, Tom

Tom, I don’t want to make any premature announcement but I can say that things are looking very good for having the CD back in stock very soon. Thanks for bearing with us. It takes a lot of co-ordinated planning and work to make things like this happen quickly without hurting the feelings of the people we are working with, not to mention the feelings of those we are trying to help.

John

On 2003-02-21 10:30, Wombat wrote:
[Tom, I don’t want to make any premature announcement but I can say that things are looking very good for having the CD back in stock very soon. Thanks for bearing with us. It takes a lot of co-ordinated planning and work to make things like this happen quickly without hurting the feelings of the people we are working with, not to mention the feelings of those we are trying to help.

John

That would be great. I trust that you will let us know when/if this happens.

I did send an email to CSC indicating my desire to purchcase a copy.

Thanks, All the Best,

Tom

On 2003-02-21 11:57, TomB wrote:


That would be great. I trust that you will let us know when/if this happens.

I did send an email to CSC indicating my desire to purchcase a copy.

Tom

Thanks to you Tom. You can depend on it; as soon as we feel able to say something definite, one of us will. As I hinted, we have realistic hopes that that will be very soon.

My CD arrived yesterday, and I haven’t stopped listening. By the way, the CD is called with a heart and a hand, and its title is just right: it reflects both the depth of feeling and the virtuoso playing of this great musician.

The CD is a joy, and the opening track, The Swedish Jig, sets the exuberant tone. I don’t ever remember being moved to laugh outloud when listening to a recording, but this track did it for me. The track is a live performance of McManus and guitarist Martin Carthy, rolling along solidly until suddenly McManus throws in a surprising little rhythmic variation, and you can almost see Carthy smiling at the challenge of keeping up (which he does brilliantly). And then just when it seems to settle in again–more playful invention, more joy, more musical laughter. This is a jewel! Its upbeat playfulness is a trait of most of the tracks on this wonderful CD.

Steve’s done a great job reviewing this CD track by track at http://www.rogermillington.com/louis/, so I’ll only give a few more impressions here.

None of the tracks I had heard before had featured McManus’s fiddling, and I was thrilled to hear it, and to hear so much of it, on this CD. It’s very intense, traditional fiddling, with the bow scratching in articulation, fingers slurring, sudden double stops: inventive and moving. Track 2 (Farewell to Ireland/Rakish Paddy, unaccompanied fiddle) is especially great; Track 14 (A Pinch of Snuff), a multi-layered studio recording, is a breathtaking performance that builds with each repetition.

All of the mandolin work is also stunning: glittering. O’Carolan’s Concerto is light and elegant; The Blackbird, once again with Carthy (from the same gig as The Swedish Jig), is full of feeling, subtlety, and more rhythmic surprises; and in Roisin Dubh McManus somehow makes his repeatedly plucked strings as lyrical as flowing water.

I’ve already commented on the amazing guitar flatpicking in Ragtime Annie/Drowsy Maggie and agree with Steve that more tracks featuring this incredible talent would have been welcome.

The two songs on the CD (Cracked Pitcher and $50.00 Blues) are a lot of fun and add funk and texture to this delightful CD.

The banjo tracks are also dazzling, but it’s the final track, Feathers, with that simple but piercing banjo riff, that seems to best define McManus’s gifts: deep feeling, expansive musical imagination, and hands skilled enough to express both flawlessly. This is a great CD from a great talent. Those who learn of it through this site will not be able to listen without sadness, but the CD is full of vigor and joy and the heartfilling beauty of a rare talent in the full flowering of his musical gifts.

Carol





[ This Message was edited by: cskinner on 2003-02-28 15:08 ]

I received my copy of this CD today and could hardly wait to listen to it - I wasn’t disappointed. Others have described the various tunes wonderfully and I won’t try to do that - but these recordings sound like so much fun! A couple of the tracks took me by surprise - not really ITM - but they add wonderful variation. “Feathers” is just plain gorgeous. This is really great music and Louis McManus is obviously an awesome musician.
Susan

On 2003-02-21 13:15, Wombat wrote:

On 2003-02-21 11:57, TomB wrote:


That would be great. I trust that you will let us know when/if this happens.

I did send an email to CSC indicating my desire to purchcase a copy.

Tom

Thanks to you Tom. You can depend on it; as soon as we feel able to say something definite, one of us will. As I hinted, we have realistic hopes that that will be very soon.

Heard from Beth at CSC. Seems I know have one on the way. Thanks folks.

All the Best, Tom

Just ordered mine. At last report there were another 20 available, but being an e-gnoramus made me waste a bit of time and effort unnecessarily, so I hope I haven’t missed out!

N, we shall see

Received mine in the mail yesterday. Listening to it at work right now. Great stuff and well worth the wait.

Special thanks to Wombat and Stevie J for making this known to us.

:smiley:

All the Best, Tom

I got mine a week ago… and listened to it non-stop for a day. I adore the first track (Swedish Jig) and the last (Feathers) particularly. I second everything our savvy cskinner has said about Swedish Jig, including the bit about laughing. I wish Feathers were longer, three or four times longer.

The fiddle tracks are wonderful, esp. track 2, I think, because they are so alive and have the drive and lilt that makes good ITM such a pleasure to listen to. The madolin & guitar tracks seem slightly more quirky, or maybe I should say that I can hear Louis’ idiosyncracies in them more clearly. I love that. His jigs are jaw-droppers (what fun to hear the fiddle be reduced to accompanying the banjo…).

Thanks, Steve & Wombat.

Mine arrived last night. I’m a bit put out - could only play it through once before the kids had to sleep. I expect to listen to it many, many more times in just the next few days.

Though I agree that the fiddle tracks are wonderful, it was the mandolin & guitar tracks that really caught me - perhaps because I played classical guitar (badly) at one time I have a better appreciation for what he pulls off there.

Wonderful CD. And if they pull off a second run I’ll order more to hand out to people I really like. I’m also hoping the project mentioned in the liner notes (putting together more CDs from existing recordings) comes off - even if it wasn’t for such a good cause I’d want 'em all.

Just ordered mine yesterday; all of these rave reviews, and the good cause, convinced me to go for it.

Glad to hear it’s so well-loved, because whoo-ee, those shipping charges ($25AU for the CD, $35AU for shipping)! I payed only a little more to have a whole, large didgeridoo shipped from Oz last year.

'Course, them Australian dollars aren’t quite the same as a US dollar. I figure this puts the total cost at a bit over $30 in real money. (Just a friendly jab, I swear. Honeymooned in Australia two years ago, didn’t want to leave; want to go back soon and often. Lovely place.)

–aaron

Just got mine! Won’t be able to listen until I get off of work, though. :frowning:

rubbing hands together

N

Aaron–

Read back in the thread a little and you’ll see this, from susnfx in Salt Lake City:

A quick addendum…I received another email from Beth at CSC this morning again apologizing for the shipping charge problems. She said that my shipping charges were actually about $4 US, bringing the total to about $19 US.

The shipping charges you were quoted were a mistake. Drop Beth an email and I’m sure it will be fixed right away. Glad you decided to get it! I am getting so much pleasure out of mine.

And Nanohedron: enjoy! :slight_smile:

Carol

Just sent the folks at CSC an e-mail regarding the shipping; thanks for the info.

That’ll teach me about not going back to review the entire thread. . .

Thanks,
Aaron

Aaron, we don’t really expect everyone who orders this CD to read the entire thread. Let me just take the opportunity to clear this up again.

CSC have some problems with their electronic ordering system generating wrong quotes for shipping overseas. But every order is processed by a human being—Beth—and she will make the correction. If the shipping charges seem excessive, then a mistake has certainly been made and Beth will pick it up.

Beth and Mike at CSC are very friendly people and very dedicated to supporting the music and musicians. They are a class act in every respect and will treat you very well if you need to contact them.

OK, so you’re all waiting hungrily and with bated breath for my review of ‘With a Heart and a Hand’, aren’tcha? Aren’tcha? I promise to be as incisive and plangent, nay, stentorious, as befits this little gem.

Damned thing rocks.

How’s that?

I was really impressed with Louis’ abilities on all his instruments. My personal favorites include tracks 10 and 12, The Blackbird and Tarbolton/Ríl Bhéara, respectively. These are tunes that I love, and I felt that they were done much justice. The Blackbird is one of the oldest set dance tunes extant, and was treated with a combination of freshness and delicacy that made me love the tune even more. Although I may be one of the few who prefer playing The Tarbolton at a slower pace (think smoothed-out hornpipe), Louis’ setting worked for me, and very well, I might add. Ríl Bhéara (also known as The Beare Island Reel) is a pretty muscular tune, comparatively more recent in the tradition, and requires major chops to pull it off well (ah, well, I can hope for the future, myself :laughing: ). Thumbs up, there, too.

I saw an interesting contrast in the plucked/bowed categories: the fiddling was nice and raw compared to the seemingly clearer presicion of the mandolin, for example, very rough ‘n’ ready on the face of it, but don’t underestimate this. This approach to fiddling is a stylistic choice that has its place, and I can think of fiddlers (Tom Dahill, for one) who consciously prefer it. The fiddling itself was very tight, and from the guts.

All in all, a recommended listen.

Best,
N

I am embarrassed. If I would have read the liner notes I would have known that the fiddling on track 12 was that of John Fitzgerald, although Louis plays fiddle elsewhere on the CD as well. So much for incisive.

I will now go into a corner and listen more thoroughly. :blush:

A much more worthwhile review was offered by Steve; I’ll post the link, soon. My priority here is to publicly flog myself.

N

On the contrary! A more plangent, nay, stentorious review could hardly be imagined!

Sincere thanks for sharing your views.

Carol

The link is:

http://www.rogermillington.com/louis/cdreview.html

Although plangency and stentoriousness without substance amount to no more than mere sound and fury, I thank you, Carol.

N