I thought about the first Star Wars
movie–there were these different
and interesting personalities and
plenty of action, and the personalities
were revealed through the action.
Zipping through the asteroid field,
the Empire fighters in hot pursuit,
the protocol robot objects ‘But, sir,
the probability of negotiating an
asteroid field is 1,000,0000,0000 to 1’
and Han Solo snaps back: ‘Never tell
me the odds!’ The best action movies
are character driven.
In Kurasawa’s ‘The Seven Samurai’
the senior samurai, who is hiring
samurai to defend a village against bandits, sits at a table inside a little
hut, with his apprentice hiding behind the
open door with a club. When the first
applicant samurai strides in the apprentice
tries to smack him, the man’s arm
shoots up, grabbing the club and
throwing the apprentice head over
heels across the room. ‘What is the
meaning of this!’ he shouts.
Later the second applicant approaches
the hut (he is much less tough looking), is invited inside, steps
forward, hesitates, steps back,
and then says gently: ‘No tricks, please!’
We know instantly how deep his
martial artistry goes and who is the
better samurai.
That for me is more
satisfying than a gizillion computer
generated goblins scampering down from the roof of whatever.
The part of LOT I liked best developed
who people were and what motivated
them. The part that rather left me numb was
the effects–which often seemed to
take over the film. Reading all the
other comments, my impression is that
the stuff people missed most from
the novel had to do with motivation
and personalities. So I want to
read the novel, actually, because
what I saw on the screen, while
it wasn’t particularly bad, couldn’t
explain the powerful interest
so many people have in Tolkien.
Maybe there is no way this could
have been done right on screen.
My wife, who read the book, says
the movie succeeded in creating
the world the characters lived in.