I have to play for 30 to 45 minutes at an dedication ceremony. I’m planning a few slow airs, but too many slow airs will be painful (both to play and to listen to). So I’d like to throw in a slow jig/reel/march or two for variety but the trick is play tunes which are suitable solemn (i.e. it’s not a party).
Any suggestions? Links to sheet music or YouTube clips would be greatly appreciated.
An Droichead , a composition of Liam O’Flynn’s, off His Piper’s Call CD, + its on youtube.
An air of the season from Na Fili, An Londubh i’s an Cheisrseach (the blackbird and the thrush); doing their stuff), Thomas O’ Caniann playing a cracker. Not slow really, but lyrical as the two birds sing sweetly to each other… Also on YouTube
The jigs from the beginning of the Fox Chase, or even a few more parts of it.
The Munster Cloak
The Eagles Whistle
BTW, most jigs can be played relatively slowly, and coming out with a lot more music on them.
Máirseáil Alasdruim (Alasdruim’s March)
The Butcher’s March
The Old Lark in the Morning (Seamus Ennis’s Lark)
The Lark’s March
Old Man Rocking the Cradle/Red Legs, Yellow Legs (Mick O’Brien, et. al/“Tunes from the Goodman Collection” recording)
March of the High Kings of Laois/O’Sullivan’s March
Patsy Geary’s is swell as a slow jig, as is Joe John Kelly’s
Sarsfield’s Quickstep (Jimmy O’Brien-Moran/“Take Me Tender” recording)
The Ladies March to the Ballroom
The Yellow Wattle/Fraher’s Jig (nice together)
I love slow jigs a ton, but The Yellow Wattle? I’d have to hear it done by my betters to get the right idea. I tried teaching that tune once, but unlike most other tunes, that one proved far worse to learn for the slowing; everyone’s eyes, including mine, were spinning in our heads. I never tried to teach it slowed down since. But performance might be another issue altogether; for me, though, the tune asks to be kept sprightly. Each to their own, I guess.
Ah, no, it’s GORGEOUS slowed down. Do you have “The Smoky Chimney” with Eoin O’Sullivan and Gerry Harrington? It’s not exactly SLOW-slow there, but you can hear how lovely it is. It is eminently majestic.
Henry McDermott Roe or something like that could work. I was thinking set dances perhaps: Nora Criona (the middle one, not the jig, not the piece (although that would work as well). Three Sea Captains, Bonaparte’s Retreat, maybe even herself: Madame Bonaparte, Jockey at the Fair, An Suisín Bán, Seán Ui Duibhir.
Cran’s setting was the first I ever heard of Killarney Boys Of Pleasure, and that’s the way I still prefer it, hands down. It can be sultry, done right.
I gave up initiating it at sessions, though, because everyone else just couldn’t hold their horses.
Funny how gigs can turn out. I was initially asked to provide 3 10-minute sets of “solemn” music. On the day, the guests of honour arrived late and left early, and so I only had 2 5-minute sets. During the first set I played a slow version of the two jigs from the Foxchase, and in the second, O’farrell’s welcome to Limerick.
I got all the usual comments from the uninitiated, but also a new one: “that thing looks like an espresso machine when you take off the cover”.