I don’t know why I never bothered before but, I just started learning “The Irish Washerwoman” so I’ve been thinking of what songs would go well with it in a set. I’ve already settled on “The Blackthorn Stick.” I just need a third. Any ideas?
And it’s also fun to go to an Em tune in the middle. Like Blackthorn Stick to Gallagher’s Frolics or Morrison’s or something like that back to the IWW.
Up to a D modal tune that starts on A is nice, too – like The Newport Lasses (Trip to Athlone) or down to F# like the good old Connaughtman’s Rambles in D.
We like to go up to A and put The Atholl Highlanders after the IWW, FWIW. I think the first tune we often do in that set is Rakes of Kildare.
Other nice (though not all along the “old tune” theme Nigel suggested, which is a cool idea BTW) G jigs –
Castlebar Races
Saddle the Pony
The Old Favorite
Christy Barry’s No. 1 & 2
Blarney Pilgrim
Tell Her I Am
Haunted House (Vincent Broderick)
Old Tipperary (which is actually more modal but with a G key sig)
Green Fields of Woodford
The Smiling Bride (Charlie Lennon)
The Cook in the Kitchen (has a few nice turns/modal shading options in it)
The Cuil Aodha Jig in G
The Woodcock/The Kerfunten (aka Hammy Hamilton’s 1 & 2)
Cherish the Ladies
Patsy Geary’s (though it depends on what tempo you’re thinking of for the IWW; I think Geary’s is nicer when not hell-bent for leather)
The Legacy
And of course … Jimmy Ward’s
You could also do Trip to Sligo 1 & 2 – one is in Em, the other in G major. Maybe flop them to start with #2 the G version, go to #1 the Em for a little mysticism and the ratchet the whole shebang back to a big fat happy G with IWW.
OK, that’s what I thought of right quick-like … I love making up sets, esp. on the fly. Have fun!
Sounds like fun. Charlie Hunter’s is a great tune and the key change can be nice for the long-suffering listener; breaks up the cascade of diddley-i’s, like.
Though of course, you got me thinking – at lunch I had the Blackthorn Stick in my head (thanks a HEAP ) and found my “i-Head Shuffle” following it with another fun little G jig called “Off to the Races.”
It worked really well in my head … anyway, it’s a single jig like the Blackthorn Stick and like the Blackthorn Stick (g3 ege) it has a long G (G3 g2e) in the first bar which is fun for a cute little rhythmic flip-flop. Overall, the two seem similar in style and thus might complement one another nicely.
As Washerwoman is so popular/recognisable/cliched (depends who you speak to - I like it and play it) it seems logical to couple it with another of similar status. I think Kesh could work great as the second tune. I can’t imagine it working so well with Kesh as the first tune…
Father O’Flynn is another established partner for Washerwoman. I think it was the tourist favourites Waxies Dargle who recorded a set of Father O’Flynn, Irish Washerwoman and then a reel - Blackberry Blossom.
Ah, Stevie. How redolent of all manner of unseriousness that little was in my last post! Tongue-in-cheek, self-deprecation, kidding, pompousnesslessitude - you name it! Let’s just put it down to that good ol’ subtle Brit humour that just didn’t travel well, shall we?
The finest jig of all, which happens to be in G, is (of course) Out on the Ocean. Great to pair with any number of tunes.
You could put Blarney Pilgrim in front of the Irirsh Washerwoman, and resolve the “is it D mix or G major” ambiguity of the Pilgrim with the unadulterated G major of the Washerwoman.