I have recently played some French tunes with some unusual key signatures - Bb and C# I think though there were accidentals as well and I don’t think any six holed instrument could be used without some half holes/cross fingering involved.
With a few more details I would like to try to make such an instrument - it would just be a different body for my high D whistle.
Chromathic things should work better with that kind of tuning (with forked fingerings). And for early music. It is also said that Vivaldi’s “flauto piccolo” was actually that kind of instrument.
New French Flageolets, while scarce, are not impossible to find. The only maker of French Flageolets that I know of is Charles Wells, unfortunately I don’t think he resides on the internet anymore. Here is a pretty good site that will help you out a bit.
Hope that helps, and good luck with your Flageolet buying.
Yes, but you should read some Moeck magazines and Schola Cantorum Basielensis year- ooks. (I can not recall numbers of them acutally), there are some good reasons to suppose that they are for the flageolet (that French type; they made them also in Italy etc.) Of course every model of “flauto piccolo” were accectable (especially, if you are getting paid about it).
During Vivaldi´s time there where about four possible models of “flauto piccolo” : sopranino recorder (in f), sixth-flute soprano recorder ( in d), traverso piccolo-flute, and that french type flageolet.
The actual written ambitus goes down to “low” e1 (at least, one of them).